Mass Combat in Ghastly Affair Part II – Cavalry Units

24 Wednesday Feb 2021

Posted by Daniel James Hanley in Ghastly Affair, Gothic Gaming, Historical Gaming, OGL, OSR

Tags

18th Century, blackpowder, Eighteenth Century, First Empire, French Directory, French Revolution, Georgian, Gothic, Gothic Gaming, Gothic Wargame, Historical, Historical Gaming, Napoleonic, Regency, Revolutionary War

Some Notes on 18^th Century and Napoleonic Cavalry

The typical Cavalry of the 18^th Century and Napoleonic era were called either “Dragoons” or “Carabiniers”. In earlier centuries the term “Dragoon” had referred to Infantry units that rode into battle but dismounted to fight, but had come to designate general-purpose or (“Line”) Cavalry capable of fighting both in open and close formations. The term “Carabinier” on the other hand, made reference to the short-barreled musket (carbine) that was the main artillery weapon of most Cavalry units. Other, more specialized types of Cavalry included “Hussars” (light raiding units that wore Hungarian-inspired uniforms and mustaches), “Lancers” (which carried long lances that made their charges especially formidable) and Cuirassiers (heavy units who wore steel breastplates and helmets). Whatever his designation and primary weapon, every cavalryman also carried a pistol, and some kind of sword or saber for hand-to-hand combat

Serving in (or officering) a cavalry unit was considered much more prestigious (and romantic) than service in an infantry (or artillery) unit. Because they frequently had to provide their own horses and pay for their own training, cavalry tended to be drawn from higher up the social scale than the infantry. Cavalry officers had an especial reputation for arrogance and imperiousness, which was particularly notable among “Hussar” units. Besides the overall unit commander, every Cavalry unit had a Bugler or Trumpeter, who communicated orders and help maintain morale by playing their horn. A minor officer called a “Cornet” (comparable to the Ensign of an Infantry unit) carried the flag or banner of the unit. Often, the Cornet also assumed the duties of the Trumpeter.

Not only would the soldiers in a unit wear a distinctive uniform, but it was also common for all the horses in a Cavalry unit to be the same breed – and often, the same color.

CAVALRY COMPANY

60 to 120 soldiers mounted on horses and acting as a unit.

Creature Class: Antagonist
Number Appearing: 1 – 3
Initial Impression: About a hundred mounted soldiers in uniform, accompanied by occasional blasts from a bugle.

Size: Large (150’ x 20’ in Line, 60’ x 60’ in Wedge, 150’ x 100’ in Skirmish Line)
Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Captain) Intelligence: 9 Wisdom: 9
Strength: 7,200 Dexterity: 11 Constitution: 9
Speed: 12

Armor Class: None
Hit Dice: 30
Attacks: 1 (carbines and pistols; or sabers, lances, pistols, and trampling) [½ Damage when in Wedge or Skirmish Line]
Special Abilities: Dissolve into Troops, Charge, Form Line, Form Wedge, Form Skirmish Line, Immune to Single Target Magic, Multiple Attacks, Trample Infantry.
Weaknesses: Gun Smoke, Pistol and Carbine Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical.
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished.
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)

Level: 10

An 18^th Century Cavalry Company is approximately 100 mounted men commanded by a Captain. Two Companies joined together form a Cavalry Squadron.

A Cavalry Company reduced to 0 Hit Points becomes two Cavalry Troops in Skirmish Line formation. A 300’ diameter area around the center point where the Company broke will be filled with dead horses, slain men, and scattered equipment. All movement through that area is at half Speed, it cannot be Charged through, and any other Military Units within that area (other than Infantry in Square) are forced into Skirmish Line formation.

Cavalry Company Special Abilities.

Charge: If a Cavalry Company in Line or Wedge formation gallops at full speed towards a target or unit for at least one full Round, the Company does double damage (1d6 +Damage Bonus, times 2) on its first Round of hand-to-hand combat (except against an Infantry unit in Square formation). The Company can make no attacks during the Round(s) spent galloping towards its target, however.

Dissolve into Troops. A Company can be broken up into 4 or 5 independent Cavalry Troops.

Form Line: A Line is a wide formation of horses in two rows, nearly shoulder to shoulder. A Company in a Line inflicts full 1d6+30 damage on each attack. It takes 10 Rounds to Form a Line.

Form Wedge: A Wedge is a triangular formation of horses attacking with its apex pointed at its opponent. A Cavalry unit in Wedge formation does only half damage on a successful attack, but any defending Infantry Units in Line or Column must immediately check Morale or involuntarily devolve into a Skirmish Line (and allow the Cavalry to ride through them it if wants). It takes 10 Rounds to form a Wedge.

Form Skirmish Line: A Skirmish Line is an irregular and open formation that allows horses maximum freedom of movement, and makes the unit harder to target with cannons. A unit in Skirmish Line can also occupy the same area as an opponent. However, a Company in a Skirmish Line only inflicts half damage on a successful attack. It takes 3 Rounds to deliberately Form a Skirmish Line from any other formation.

Immune to Single Target Magic: Because a Cavalry Company is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Company can attack multiple targets or units instead of concentrating on a single one. The Company makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Targets	Damage Bonus per attack
1	+30
2	+15
3	+10
4	+8
5	+6

Trample Infantry: A Cavalry Company does double damage (1d6 + Damage Bonus, times 2) when engaged in hand-to-hand combat against Infantry units (except those in Square formation).

Cavalry Company Weaknesses

Gun Smoke: After its first volley of pistol or carbine fire, a Company in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Company spends a full Turn not firing its guns, or moves 50’ from its current position.

Pistol and Carbine Inaccuracy: Almost all Cavalry units are –2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore pistols and carbines. Furthermore, smooth-bore pistols are completely inaccurate past 225 feet, and carbines past 350 feet.

CAVALRY PATROL

10 to 20 soldiers mounted on horses and acting as a unit.

Creature Class: Antagonist
Number Appearing: 1
Initial Impression: About a dozen mounted soldiers in uniform, accompanied by occasional blasts from a bugle.
Size: Large (20’ x 20’ in Line, 20’ x 20’ in Wedge, 50’ x 30’ in Skirmish Line)

Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Sergeant) Intelligence: 9 Wisdom: 9
Strength: 1,200 Dexterity: 11 Constitution: 9
Speed: 12

Armor Class: None
Hit Dice: 6
Attacks: 1 (carbines and pistols; or sabers, lances, pistols, and trampling) [½ Damage when in Wedge or Skirmish Line]
Special Abilities: Dissolve into Troops, Charge, Form Line, Form Skirmish Line, Multiple Attacks, Trample Infantry.
Weaknesses: Gun Smoke, Pistol and Carbine Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical.
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished.
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit).

Level: 6

A Cavalry Patrol is the smallest unit of Cavalry, typically encountered while performing reconnaissance for a larger unit. Typically it consists of about a dozen cavalrymen commanded by either a junior Lieutenant, or a Sergeant.

A Cavalry Patrol reduced to 0 Hit Points breaks up into 5 or 6 mounted individuals. A 40’ diameter area around the center point where the Patrol broke will be filled with dead horses, slain men, and scattered equipment. All movement through that area is at half Speed, it cannot be Charged through, and any other Military Units within that area (other than Infantry in Square) are forced into Skirmish Line formation.

Cavalry Patrol Special Abilities.

Charge: If a Cavalry Patrol in Line or Wedge formation gallops at full speed towards a target or unit for at least one full Round, the Patrol does double damage (1d6 +Damage Bonus, times 2) on its first Round of hand-to-hand combat (except against an Infantry unit in Square formation). The Patrol can make no attacks during the Round(s) spent galloping towards its target, however.

Dissolve Unit: A Patrol can be broken up into individual cavalrymen and horses.

Form Line: A Line is a wide formation of horses in two rows, nearly shoulder to shoulder. A Patrol in a Line inflicts full 1d6+6 damage on each attack. It takes 10 Rounds to Form a Line.

Form Skirmish Line: A Skirmish Line is an irregular and open formation that allows horses maximum freedom of movement, and makes the unit harder to target with cannons. A unit in Skirmish Line can also occupy the same area as an opponent. However, a Patrol in a Skirmish Line only inflicts half damage on a successful attack. It takes 3 Rounds to deliberately Form a Skirmish Line from any other formation.

Immune to Single Target Magic: Because a Cavalry Patrol is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Patrol can attack up to 4 targets or units instead of concentrating on a single one. The Patrol makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Targets	Damage Bonus per attack
1	+6
2	+3
3 – 4	+2

Trample Infantry: A Cavalry Patrol does double damage (1d6 + Damage Bonus, times 2) when engaged in hand-to-hand combat against Infantry units (except those in Square formation).

Cavalry Patrol Weaknesses

Gun Smoke: After its first volley of pistol or carbine fire, a Patrol in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Patrol spends a full Turn not firing its guns, or moves 50’ from its current position.

Pistol and Carbine Inaccuracy: Almost all Cavalry units are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore pistols and carbines. Furthermore, smooth-bore pistols are completely inaccurate past 225 feet, and carbines past 350 feet.

CAVALRY SQUADRON

120 to 240 soldiers mounted on horses and acting as a unit.

Creature Class: Antagonist
Number Appearing: 1 – 3
Initial Impression: About two hundred mounted soldiers in uniform, accompanied by occasional blasts from a bugle.
Size: Large (300’ x 20’ in Line, 80’ x 80’ in Wedge, 300’ x 100’ in Skirmish Line)

Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Lieutenant Colonel) Intelligence: 9 Wisdom: 9
Strength: 14,400 Dexterity: 11 Constitution: 9
Speed: 12

Armor Class: None
Hit Dice: 60
Attacks: 1 (carbines and pistols; or sabers, lances, pistols, and trampling) [½ Damage when in Wedge or Skirmish Line]
Special Abilities: Dissolve into Companies, Charge, Form Line, Form Wedge, Form Skirmish Line, Multiple Attacks, Trample Infantry.
Weaknesses: Gun Smoke, Pistol and Carbine Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical.
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished.
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)

Level: 10

A Squadron of Cavalry is commanded by a Lieutenant Colonel, Major, or Chef d’Escadron. Two Squadrons make a full Cavalry Regiment, commanded by a Colonel.

A Cavalry Squadron reduced to 0 Hit Points becomes a Cavalry Company in Skirmish Line formation. A 500’ diameter area around the center point where the Squadron broke will be filled with dead horses, slain men, and scattered equipment. All movement through that area is at half Speed, it cannot be Charged through, and any other Military Units within that area (other than Infantry in Square) are forced into Skirmish Line formation.

Cavalry Squadron Special Abilities

Charge: If a Cavalry Squadron in Line or Wedge formation gallops at full speed towards a target or unit for at least one full Round, the Squadron does double damage (1d6 +Damage Bonus, times 2) on its first Round of hand-to-hand combat (except against an Infantry unit in Square formation). The Squadron can make no attacks during the Round(s) spent galloping towards its target, however.

Dissolve into Companies. A Squadron can be broken up into 2 independent Cavalry Companies.

Form Line: A Line is a wide formation of horses in two rows, nearly shoulder to shoulder. A Squadron in a Line inflicts full 1d6+60 damage on each attack. It takes 10 Rounds to Form a Line.

Form Skirmish Line: A Skirmish Line is an irregular and open formation that allows horses maximum freedom of movement, and makes the unit harder to target with cannons. A unit in Skirmish Line can also occupy the same area as an opponent. However, a Squadron in a Skirmish Line only inflicts half damage on a successful attack. It takes 3 Rounds to deliberately Form a Skirmish Line from any other formation.

Immune to Single Target Magic: Because a Cavalry Squadron is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Squadron can attack multiple targets or units instead of concentrating on a single one. The Squadron makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Targets	Damage Bonus per attack
1	+60
2	+30
3	+20
4	+15
5	+12
6	+10

Trample Infantry: A Cavalry Squadron does double damage (1d6 + Damage Bonus, times 2) when engaged in hand-to-hand combat against Infantry units (except those in Square formation).

Cavalry Squadron Weaknesses

Gun Smoke: After its first volley of pistol or carbine fire, a Squadron in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Squadron spends a full Turn not firing its guns, or moves 50’ from its current position.

CAVALRY TROOP

20 to 40 soldiers mounted on horses and acting as a unit.

Creature Class: Antagonist
Number Appearing: 1 or 2
Initial Impression: Approximately thirty mounted soldiers in uniform, accompanied by occasional blasts from a bugle.
Size: Large (45’ x 20’ in Line, 30’ x 30’ in Wedge, 80’ x 40’ in Skirmish Line)

Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Lieutenant or Sergeant) Intelligence: 9 Wisdom: 9
Strength: 2,400 Dexterity: 11 Constitution: 9
Speed: 12

Armor Class: None
Hit Dice: 10
Attacks: 1 (carbines and pistols; or sabers, lances, pistols, and trampling) [½ Damage when in Wedge or Skirmish Line]
Special Abilities: Dissolve into Troops, Charge, Form Line, Form Wedge, Form Skirmish Line, Multiple Attacks, Trample Infantry.
Weaknesses: Gun Smoke, Pistol and Carbine Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical.
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished.
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit).

Level: 10

A Cavalry Troop is approximately 30 mounted men generally commanded by either a Lieutenant or a Sergeant.

A Cavalry Troop reduced to 0 Hit Points becomes a Cavalry Patrol in Skirmish Line formation. A 60’ diameter area around the center point where the Troop broke will be filled with dead horses, slain men, and scattered equipment. All movement through that area is at half Speed, it cannot be Charged through, and any other Military Units within that area (other than Infantry in Square) are forced into Skirmish Line formation.

Cavalry Troop Special Abilities

Charge: If a Cavalry Troop in Line or Wedge formation gallops at full speed towards a target or unit for at least one full Round, the Troop does double damage (1d6 +Damage Bonus, times 2) on its first Round of hand-to-hand combat (except against an Infantry unit in Square formation). The Troop can make no attacks during the Round(s) spent galloping towards its target, however.

Dissolve into Patrols. A Troop can be broken up into 3 independent Cavalry Patrols.

Form Line: A Line is a wide formation of horses in two rows, nearly shoulder to shoulder. A Troop in a Line inflicts full 1d6+10 damage on each attack. It takes 10 Rounds to Form a Line.

Form Skirmish Line: A Skirmish Line is an irregular and open formation that allows horses maximum freedom of movement, and makes the unit harder to target with cannons. A unit in Skirmish Line can also occupy the same area as an opponent. However, a Troop in a Skirmish Line only inflicts half damage on a successful attack. It takes 3 Rounds to deliberately Form a Skirmish Line from any other formation.

Immune to Single Target Magic: Because a Cavalry Troop is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Troop can attack up to 4 targets or units instead of concentrating on a single one. The Troop makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Targets	Damage Bonus per attack
1	+10
2	+5
3	+3
4	+2

Trample Infantry: A Cavalry Troop does double damage (1d6 + Damage Bonus, times 2) when engaged in hand-to-hand combat against Infantry units (except those in Square formation).

Cavalry Troop Weaknesses

Gun Smoke: After its first volley of pistol or carbine fire, a Troop in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Troop spends a full Turn not firing its guns, or moves 50’ from its current position.

Specialized Cavalry Units

Cuirassiers: These heavy unit wear steel breastplates and helmets that give them Armor Class 5. However, they are slower than other units, moving at Speed 11, rather than 12.

Chasseurs: These light units are faster than others, moving at Speed 13. They are often used for reconnaissance, or to harry supply lines.

Cossacks: These Russian units are especially brave and hardy, having Constitution scores of 11 (rather than 9), and the Asset “High Morale”. However, they have the Weakness “Hard to Control”, so all attempts to issue battlefield orders to Cossacks incur a -3 Penalty on the Charisma Check.

Hussars: These elite units ride especially fast horses, wear faux Hungarian costumes, and sport long mustaches. They move at Speed 13, and have the Asset “High Morale”, conferring a +3 Bonus on all Morale Checks. The culture of Hussar units actually encourages them to plunder and commit atrocities against civilians, however, so they have Perversity 14 rather than 13.

Lancers / Ulans/ Uhlans: These units carry long lances, which are typically embellished with colorful pennants. For the first Round of Hand-to-hand fighting after a Charge, Lancers automatically win Initiative, and receive a +1 Bonus on their Attack Check. German Lancers are called “Ulans”, while the famous Polish lancers are “Uhlans” (with an “h”).

Mameluks: These Egyptian mercenaries are especially skilled with their sabers, enjoying a +1 Bonus when engaged in Hand-to-Hand fights.

Mass Combat in Ghastly Affair Part I – Infantry Units

09 Tuesday Feb 2021

Posted by Daniel James Hanley in Ghastly Affair, Gothic Gaming, Historical Gaming, OGL, OSR

≈ 2 Comments

Tags

The lack of Mass Combat rules in Ghastly Affair might seem glaring in light of its default setting, the era of the French Revolution and Napoleon. What follows is an attempt to rectify that omission. It makes possible scenarios such as a Company of British infantry cut off from its Regiment and facing down revenants in the Tabernas Desert during the Peninsular War, or a Troop of French cavalry from the Grande Armée attempting to flee Russia while threatened by werewolves and General Winter alike.

The tentative method of mass combat here presented is to treat whole military units (Battalions, Companies, etc.) as single beings (much as Ghastly Affair does with Angry Mobs). Fights involving military units therefore use exactly the same rules as those involving individual adversaries – including determining Initiative , and checking Morale at appropriate times. In general, units with more members should have higher Hit Points than those with fewer, but a relatively underpopulated unit might have high HP on account of its good health, or exceptionally thorough training.

There is, of course, a great deal of abstraction assumed in the presentation. The composition of military units could, of course, vary greatly from nation to nation – and even in the same nation across the assumed time period of 1765 to 1820. This is particularly true in the case of France, where the semi-private pre-Revolutionary army was very different from the fully nationalized military commanded by Napoleon. Therefore, the treatment of units that follows is fairly generic – good enough to figure out what happens when an Infantry Platoon faces off against a family of crazed cannibals, or a Battalion battles a dragon that has been slumbering for centuries, but admittedly inadequate for realistically recreating Waterloo. Doubtless, any experienced war-gamer could probably find innumerable faults with my presentation of 18^th century military units and tactics as it relates to any specific historical military unit.

An Overview of 18^th Century and Napoleonic Infantry

The ordinary rank and file infantry of the 18^th Century were often called “Fusiliers”, especially in the French army of the late 18^th century and Napoleonic era. They are typically armed with a smooth-bore musket, a bayonet, and possibly a straight-bladed sword (although in many units only officers carry swords). Each Infantryman carries his own bedroll; a canteen; and a supply of black powder, wadding, and bullets. Spare clothing and personal items (such as a shaving kit and playing cards) are carried in a backpack. The uniforms of ordinary Infantrymen are colorful because 18^th century battlefields are blanketed with obscuring gun smoke, and drab clothing will inevitably result in friendly units firing on each other frequently. Before the French Revolution, most Infantry units wore tricorn hats. In the Napoleonic-era, this changed to the cylindrical “shako” hat, usually embellished with a plume.

Specialized infantry units include “Grenadiers” (prestigious heavy infantry armed with grenades), “Chasseurs” (light infantry who march ahead of other units), and “Sappers” (demolitions experts).

On the battlefield, it is usual for only half the members of an infantry unit to fire their muskets at a time. This allows the other half time to reload their single-shot guns.

Infantry officers are distinguished by their more elaborate uniforms (which they often have made for themselves at their own expense), and different headgear (often a bicorn hat rather than a tricorn or shako). Sergeants carry spontoons (wide-bladed spears), which they use for signaling, to correct the aim of line soldiers, and as a weapon in hand-to-hand combat. A minor officer called an “Ensign” is in charge of protecting the unit’s flag or standard. Besides the ordinary men and officers, units larger than a squad will also have a drummer and fifer (flute-player), who help to keep time in marches, convey orders on the battlefield, and keep up morale. The drummer may be a boy, but is usually just a young enlisted soldier.

It was common in the 18^th century for Infantry (and Cavalry) units to be raised, trained, and equipped not by the national government, but by individual noblemen. The nobleman who raised the unit would then either command it himself, or give command to his son. It is very common for units to be comprised of foreigners and other people who first loyalty is to their commander and fellow soldiers, rather than the sovereign of the nation they nominally serve. Other units may be composed of forcibly conscripted or “impressed” men who would, if any real opportunity presented itself, either desert, or mutiny and become brigands. Such conscripted men are likely take out their frustration at their predicament by committing atrocities against civilian populations.

Military units more than a day’s march from a fort are almost always accompanied by numerous “camp followers” – private food merchants, cooks, entertainers, seamstresses, washerwomen, nurses, and prostitutes who provide much of the actual logistical support for the army. Among the camp followers will also be the wives and children of soldiers, who are (unless they are the commanding officer’s family) expected to help with cooking, washing, cleaning, and repairs. There can be as many camp followers as there as soldiers in the unit.

INFANTRY BATTALION

360 to 720 soldiers on foot, acting as a unit.

Creature Class: Antagonist
Number Appearing: 1 – 4
Initial Impression: Several hundred armed and uniformed men, marching to the sounds of drums and flute.
Size: Large (500’ x 10’ in Line, 10’ x 500’ in Column, 60’ x 60’ in Square, 500’ x 50’ in Skirmish Line)
Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Lieutenant Colonel) Intelligence: 9 Wisdom: 9
Strength: 5,400 Dexterity: 11 Constitution: 9
Speed: 6 in Line, 9 in Column, 3 in Square, 9 in Skirmish Line
Armor Class: None (+2 if wreathed in Gun Smoke, +2 if in Skirmish Line)
Hit Dice: 150
Attacks: 1 (musket volley; or muskets, bayonets, and swords) [½ Damage when in Column, Square or Skirmish Line]
Special Abilities: Dissolve into Companies, Form Column, Form Line, Form Square, Form Skirmish Line, Immune to Single Target Magic, Multiple Attacks, Set Bayonets Against Charge.
Weaknesses: Gun Smoke, Musket Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)
Level: 10

An 18^th Century Infantry Battalion consists of 5 or 6 Companies of Soldiers, generally commanded by an officer with the title of Lieutenant Colonel, Chef de Batallion, or Major.

Two Infantry Battalions together form an Infantry Regiment commanded by a Colonel.

An Infantry Battalion reduced to 0 Hit Points devolves into three surviving Infantry Companies. The Presenter should assume that half the casualties suffered by the formerly intact Battalion are dead, and half are wounded to the point of incapacity.

Infantry Battalion Special Abilities

Dissolve into Companies: An Infantry Battalion can be dissolved into 5 or 6 Infantry Companies of 60 to 120 soldiers, each commanded by a Captain. This might be done in order to encircle an enemy, for example. It takes 10 Rounds to Dissolve into Companies.

Form Column: A Column is a narrow formation of soldiers in several files (usually about 5). A Battalion in a Column moves quickly at Speed 9, but it inflicts only half damage on a successful attack. Column form is therefore usually employed for marching, but seldom offensively. It takes 6 Rounds to Form a Column.

Form Line: A Line is a wide formation of soldiers in two rows, standing and firing shoulder to shoulder. This is the default formation for battle in the 18^th century. A Battalion in a Line moves slowly at Speed 6, but inflicts full 1d6+150 damage on each attack. It takes 6 Rounds to Form a Line.

Form Square: A Square is a tight and compact formation just 60’ to a side. A Cavalry unit charging a Square loses all advantages (enjoying no bonus to the attack, and doing normal damage). A Battalion in a Square can only move at Speed 3, and inflicts half damage on a successful attack. It takes 10 Rounds to Form a Square.

Form Skirmish Line: A Skirmish Line is an open formation that allows soldiers to hide behind trees and walls, shoot from prone positions, and otherwise take advantage of available cover. A Battalion in a Skirmish Line enjoys a +2 AC, but only inflicts half damage on a successful attack. It takes 6 Rounds to Form a Skirmish Line.

Immune to Single Target Magic: Because an Infantry Battalion is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Battalion can attack multiple targets or units instead of concentrating on a single one. The Battalion makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Targets	Damage Bonus per attack
1	+150
2	+75
3	+50
4	+38
5	+30
6	+25

Set Bayonets Against Charge: An Infantry Battalion that spends a full Round preparing to meet a charging Calvary unit will inflict double damage (1d6 + 150, times 2) on the first Round of Hand-to-Hand fighting against it. The Battalion cannot attack, move, or take any other action while preparing to meet the charging unit, however.

Infantry Battalion Weaknesses

Gun Smoke: After firing its first volley of musket fire, a Battalion in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks, but also enjoys a +2 on its Armor Class. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Battalion spends a full Turn not firing its muskets, or moves 50’ from its current position.

Musket Inaccuracy: Almost all Infantry Battalions are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore muskets. Furthermore, their muskets are completely inaccurate past 450 feet.

INFANTRY COMPANY

60 to 120 soldiers on foot, acting as a unit.
Creature Class: Antagonist
Number Appearing: 1 – 4
Initial Impression: About a hundred armed and uniformed men, marching to the sounds of drums and flute.
Size: Large (100’ x 10’ in Line, 10’ x 100’ in Column, 15’ x 15’ in Square, 100 x 50’ in Skirmish Line)
Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Captain) Intelligence: 9 Wisdom: 9
Strength: 900 Dexterity: 11 Constitution: 9
Speed: 6 in Line, 9 in Column, 3 in Square, 9 in Skirmish Line
Armor Class: None (+2 if wreathed in Gun Smoke, +2 if in Skirmish Line)
Hit Dice: 30
Attacks: 1 (musket volley; or muskets, bayonets, and swords) [½ Damage when in Column, Square or Skirmish Line]
Special Abilities: Dissolve into Plattons, Form Column, Form Line, Form Square, Form Skirmish Line, Immune to Single Target Magic, Multiple Attacks, Set Bayonets Against Charge.
Weaknesses: Gun Smoke, Musket Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)
Level: 10

An 18^th Century Infantry Company consists of three Platoons of soldiers, and is typically commanded by an officer with the title of “Captain”. Five or six Companies typically form a Battalion.

An Infantry Company reduced to 0 Hit Points becomes two Infantry Platoons.

Infantry Company Special Abilities

Dissolve into Platoons: An Infantry Company can be dissolved into 3 Infantry Platoons of 20 to 40 soldiers, each commanded by a Lieutenant. This might be done in order to encircle an enemy, for example.

Form Column: A Column is a narrow formation of soldiers in three files. A Company in a Column moves quickly at Speed 9, but it inflicts only half damage on a successful attack. Column form is therefore usually employed for marching, but seldom offensively. It takes 4 Rounds to Form a Column.

Form Line: A Line is a wide formation of soldiers in two rows, standing and firing shoulder to shoulder. This is the default formation for battle in the 18^th century. A Company in a Line moves slowly at Speed 6, but inflicts full 1d6+30 damage on each attack. It takes 4 Rounds to Form a Line.

Form Square: A Square is a tight and compact formation just 60’ to a side. A Cavalry unit charging a Square loses all advantages (enjoying no bonus to the attack, and doing normal damage). A Company in a Square can only move at Speed 3, and inflicts half damage on a successful attack. It takes 6 Rounds to Form a Square.

Form Skirmish Line: A Skirmish Line is an open formation that allows soldiers to hide behind trees and walls, shoot from prone positions, and otherwise take advantage of available cover. A Company in a Skirmish Line enjoys a +2 AC, but only inflicts half damage on a successful attack. It takes 4 Rounds to Form a Skirmish Line.

Immune to Single Target Magic: Because an Infantry Company is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Targets	Damage Bonus per attack
1	+30
2	+15
3	+10
4	+8
5	+6
6	+5

Set Bayonets Against Charge: An Infantry Company that spends a full Round preparing to meet a charging Calvary unit will inflict double damage (1d6 + Damage Bonus, times 2) on the first round of Hand-to-Hand fighting against it. The Company cannot attack, move, or take any other action while preparing to meet the charging unit, however.

Infantry Company Weaknesses

Gun Smoke: After firing its first volley of musket fire, a Company in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks, but also enjoys a +2 on its Armor Class. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Company spends a full Turn not firing its muskets, or moves 50’ from its current position.

Musket Inaccuracy: Almost all Infantry Companies are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore muskets. Furthermore, their muskets are completely inaccurate past 450 feet.

INFANTRY PLATOON

20 to 40 soldiers on foot, acting as a unit.
Creature Class: Antagonist
Number Appearing: 1 or 2
Initial Impression: Approximately thirty armed and uniformed men, marching to the sounds of drums and flute.
Size: Large (35’ x 10’ in Line, 5’ x 30’ in Column, 10’ x 10’ in Square.)
Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Lieutenant) Intelligence: 9 Wisdom: 9
Strength: 300 Dexterity: 11 Constitution: 9
Speed: 6 in Line, 9 in Column, 3 in Square, 9 in Skirmish Line
Armor Class: None (+2 if wreathed in Gun Smoke, +2 if in Skirmish Line)
Hit Dice: 10
Attacks: 1 (musket volley; or muskets, bayonets, and swords) [½ Damage when in Column, Square or Skirmish Line]
Special Abilities: Dissolve into Squads, Form Column, Form Line, Form Square, Form Skirmish Line, Immune to Single Target Magic, Multiple Attacks, Set Bayonets Against Charge.
Weaknesses: Gun Smoke, Musket Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)
Level: 10

An 18^th Century Infantry Platoon consists of twenty to forty soldiers trained to fire their muskets together in a single mass. A Platoon is typically commanded by a Lieutenant. Three Platoons form a Company.

An Infantry Platoon reduced to 0 Hit Points becomes an Infantry Squad.

Infantry Platoon Special Abilities

Dissolve into Squads: An Infantry Company can be dissolved into 2 Infantry Squads of 10 to 20 soldiers, each commanded by a Lieutenant. This might be done in order to encircle an enemy, for example.

Form Column: A Column is a narrow formation of soldiers in two files. A Platoon in a Column moves quickly at Speed 9, but it inflicts only half damage on a successful attack. Column form is therefore usually employed for marching, but seldom offensively. It takes 2 Rounds to Form a Column.

Form Line: A Line is a wide formation of soldiers in two rows, standing and firing shoulder to shoulder. This is the default formation for battle in the 18^th century. A Platoon in a Line moves slowly at Speed 6, but inflicts full 1d6+10 damage on each attack. It takes 2 Rounds to Form a Line.

Form Square: A Square is a tight and compact formation just 60’ to a side. A Cavalry unit charging a Square loses all advantages (enjoying no bonus to the attack, and doing normal damage). A Platoon in a Square can only move at Speed 3, and inflicts half damage on a successful attack. It takes 3 Rounds to Form a Square.

Form Skirmish Line: A Skirmish Line is an open formation that allows soldiers to hide behind trees and walls, shoot from prone positions, and otherwise take advantage of available cover. A Platoon in a Skirmish Line enjoys a +2 AC, but only inflicts half damage on a successful attack. It takes 2 Rounds to Form a Skirmish Line.

Immune to Single Target Magic: Because an Infantry Platoon is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Platoon can attack up to four targets or units instead of concentrating on a single one. The Platoon makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Targets	Damage Bonus per attack
1	+10
2	+5
3 – 4	+3

Set Bayonets Against Charge: An Infantry Platoon that spends a full Round preparing to meet a charging Calvary unit will inflict double damage (1d6 + Damage Bonus, times 2) on the first round of Hand-to-Hand fighting against it. The Platoon cannot attack, move, or take any other action while preparing to meet the charging unit, however.

Infantry Platoon Weaknesses

Gun Smoke: After firing its first volley of musket fire, a Platoon in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks, but also enjoys a +2 on its Armor Class. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Company spends a full Turn not firing its muskets, or moves 50’ from its current position.

Musket Inaccuracy: Almost all Infantry Platoon are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore muskets. Furthermore, their muskets are completely inaccurate past 450 feet.

INFANTRY SQUAD

10 to 20 soldiers on foot, acting as a unit.
Creature Class: Antagonist
Number Appearing: 1
Initial Impression: Approximately a dozen armed and uniformed men.
Size: Large (15’ x 10’ in Line, 10’ x 20’ in Column, 8’ x 8’ in Square,)
Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Sergeant) Intelligence: 9 Wisdom: 9
Strength: 150 Dexterity: 11 Constitution: 9
Speed: 6 in Line, 9 in Column, 3 in Square, 9 in Skirmish Line
Armor Class: None (+2 if wreathed in Gun Smoke, +2 if in Skirmish Line)
Hit Dice: 6
Attacks: 1 (musket volley; or muskets, bayonets, and swords) [½ Damage when in Column, Square or Skirmish Line]
Special Abilities: Dissolve, Form Column, Form Line, Form Square, Form Skirmish Line, Immune to Single Target Magic, Multiple Attacks, Set Bayonets Against Charge.
Weaknesses: Gun Smoke, Musket Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)
Level: 6

A Squad is half a platoon. On the battlefield, one Squad of a Platoon will typically fire a volley of musket fire while the other one reloads. A Squad will rarely be separated from its platoon, but in such a case it will typically be commanded by a Sub-lieutenant or Sergeant.

An Infantry Squad reduced to 0 Hit Points breaks up into 5 or 6 individual survivors.

Infantry Squad Special Abilities

Dissolve Unit: An Infantry Squad can be broken up into its individual soldiers. This might be done in order to encircle an enemy, for example.

Form Column: A Column is a narrow formation of soldiers in two files. A Squad in a Column moves quickly at Speed 9, but it inflicts only half damage on a successful attack. Column form is therefore usually employed for marching, but seldom offensively. It takes 1 Round to Form a Column.

Form Line: A Line is a wide formation of soldiers in two rows, standing and firing shoulder to shoulder. This is the default formation for battle in the 18^th century. A Squad in a Line moves slowly at Speed 6, but inflicts full 1d6+6 damage on each attack. It takes 1 Round to Form a Line.

Form Square: A Square is a tight and compact formation just 60’ to a side. A Cavalry unit charging a Square loses all advantages (enjoying no bonus to the attack, and doing normal damage). A Squad in a Square can only move at Speed 3, and inflicts half damage on a successful attack. It takes 2 Rounds to Form a Square.

Form Skirmish Line: A Skirmish Line is an open formation that allows soldiers to hide behind trees and walls, shoot from prone positions, and otherwise take advantage of available cover. A Squad in a Skirmish Line enjoys a +2 to AC, but only inflicts half damage on a successful attack. It takes 1 Round to Form a Skirmish Line.

Immune to Single Target Magic: Because an Infantry Squad is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Squad can attack up to four targets or units instead of concentrating on a single one. The Platoon makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Targets	Damage Bonus per attack
1	+6
2	+3
3 – 4	+2

Set Bayonets Against Charge: An Infantry Squad that spends a full Round preparing to meet a charging Calvary unit will inflict double damage (1d6 + Damage Bonus, times 2) on the first round of Hand-to-Hand fighting against it. The Squad cannot attack, move, or take any other action while preparing to meet the charging unit, however.

Infantry Squad Weaknesses

Gun Smoke: After firing its first volley of musket fire, a Squad in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks, but also enjoys a +2 on its Armor Class. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Squad spends a full Turn not firing its muskets, or moves 50’ from its current position.

Musket Inaccuracy: Almost all Infantry Squads are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore muskets. Furthermore, their muskets are completely inaccurate past 450 feet.

SPECIAL INFANTRY UNITS

Chasseurs : Light infantry that move at Speed 10 in Column and Skirmish Line. They can also Form Line (Speed 7), but cannot Form Square.

Grenadiers: Elite units comprised of the tallest and strongest soldiers, well-trained, and armed with grenades. Grenadier units have Dexterity 13 (rather than 11), and have the Asset “Intimidating”. Once per battle they can lob grenades for double damage at a target or unit 50’ – 60’ distant.

Mamluks: Egyptian mercenaries serving under Napoleon. They are skilled with their scimitars, and attack with a +1 Bonus in Hand-to-Hand fights.

Rangers / Jagers / Riflemen: Light infantry armed with rifles. They move at Speed 10, and do not suffer from the Weakness “Musket Inaccuracy”. They attack only in a Skirmish Line, however. Their guns are accurate to 750’.

Sappers: Units armed with axes, picks, and bombs to destroy obstructions and sabotage enemy fortifications. They have the Special Ability “Damage Structure”, which allows them to inflict full damage against things as reinforced doors, stone walls, buildings, and terrain features.

Skimishers / Voltigeurs: These units fight only in a Skirmish Line (like Rangers). They are specialized for rough terrain, and trained to use cover effectively. They have Dexterity 12 (rather than 11), and are AC 2.

Windbüchse Units: Elite Austrian units armed with cutting-edge Girondoni Air Rifles that use reservoirs of pressurized air rather than gunpowder, and can be reloaded in a second from a built-in 20 shot magazine. Their guns have the same range as muskets, but Windbüchse Units do not suffer the Weaknesses of “Musket Inaccuracy” or “Gun Smoke” (but don’t get the benefit of cover from the smoke either).

About Player Characters in Military Units

Player Characters serving as soldiers in military units are never killed or wounded in combat while part of the unit. If a unit is reduced to 0 Hit Point (and thus broken), any Player Characters are generally assumed to be part of a surviving sub-unit. For example, if a Infantry Battalion is reduced to 0 Hit Points, and thus reduced to three surviving Companies of soldiers, the PCs belong to one of those Companies (unless they indicate otherwise).

Player Characters offering a military unit in combat must make a successful Charisma Check for each command they issue. Failure means the command is either not heard, or ignored that Round. The choking gun smoke, incredible noise, and general panic of the troops makes it extremely difficult to control forces on an 18^th century battlefield, and carefully laid strategies tend to break down quickly unless officers are exceptionally skilled. (One of the reasons Napoleon’s army was so effective was that his officers needed to actually demonstrate ability to get promoted – rather than just purchasing their commissions, as was the rule elsewhere in Europe.)

Ghastly Affair Location Catalogues Now Available on DriveThruRPG

12 Thursday Sep 2019

Posted by Daniel James Hanley in Ghastly Affair, Gothic Gaming, Highdark Hall, Historical Gaming, OGL, OSR

≈ 2 Comments

Tags

18th Century, Austenpunk, blackpowder, dreadpunk, Eighteenth Century, First Empire, French Directory, French Revolution, Georgian, Ghastly Affair, gothic game, Gothic Gaming, Gothic Horror, Gothic Romance, Gothick, Historical, Historical Gaming, Louis Seize, Louis XV, Louis XVI, mannerpunk, Napoleonic, nineteenth century, Play Aids, Regency, Romance, Romantic Age, Romantic Horror, Romantic-era

I just wanted to let you all know that I’ve made a bunch of modular PDF fill-out forms for use with “A Ghastly Companion to Castles, Mansions, & Estates”. They’re called Ghastly Affair Location Catalogues , and will guide you step-by-step through the process of creating imaginary Grand Houses for games set in the late 18th to early 19th century era. After you’ve created a house, the Location Catalogue becomes a systematic record that can be later referenced during game play. Whether you work with an existing map, or create a map from the Catalogue, the forms allow you to define practically everything about the house and its inhabitants – including any restless ghosts!

There are three main sets, which are all available on a Pay-What-You-Want basis:

The “Ghastly Affair Location Catalogue – Castle” will help you create a Concentric, Compact, or Courtyard Castle – or a Fortified House.

The “Ghastly Affair Location Catalogue – Mansion” will help you create a grand urban dwelling, such as an English Townhouse, Italian Palazzo, or French Hôtel Particulier.

The “Ghastly Affair Location Catalogue – Estate House” will help you create an English Country House, Italian Villa, French Château, or a similar aristocratic home in the countryside.

And if you want to define your house in extreme detail, I’ve made three supplemental forms to be used as needed:

The “Ghastly Affair Location Catalogue – Interior Room” has lines for recording almost every possible characteristic of an important area inside your house.

The “Ghastly Affair Location Catalogue – Garden Features” lets you define and work out the relative locations of individual features in each garden area of your house’s parkland.

The “Ghastly Affair Location Catalogue – Tower Interior” defines the rooms inside stand-alone towers, of the type that might be found along the outer defensive walls of a medieval Concentric Castle.

Random 18th Century Villages for a Gothic Sandbox

18 Thursday Apr 2019

Posted by Daniel James Hanley in Ghastly Affair, Gothic and Romantic Literature, Gothic Gaming, OSR, Random Tables

≈ 10 Comments

Tags

18th Century, Austenpunk, blackpowder, dreadpunk, Eighteenth Century, First Empire, French Directory, French Revolution, Georgian, Ghastly Affair, gothic game, Gothic Gaming, Gothic Horror, Gothic Literature, Gothic Romance, Gothick, Gothique, Louis Seize, Louis XV, Louis XVI, mannerpunk, Napoleonic, nineteenth century, Regency, Romance, Romantic Age, Romantic Horror, Romantic-era, Romanticism, schauerroman

What’s a Gothic story without an isolated village filled with dark secrets? The following random tables will help you design small European communities with populations between 100 and 1000 people, of the kind that might be constitute part of an 18^th century aristocrat’s estate. In conjunction with Appendices A, B, C, and D of “A Ghastly Companion to Castles, Mansions, & Estates”, they let you procedurally generate a complete countryside of horrors for PCs to wander at will.

If you would like your villages to be more Jane Austen and less Matthew Lewis, simply ignore Tables 16 and 17.

Table 1a: The Basic Layout of an Inland Village

d12	The buildings primarily cluster…
1	along a straight section of road
2	along a section of road that curves like a “C”
3	along a section of road that curves like an “S”
4	around an “X”-shaped crossroads
5	around an “X”-shaped crossroads enclosed by a ring.
6	around a “T”-shaped crossroads
7	around a “Y”-shaped, three-way crossroads
8	around a trident where two roads converge at angles on a third.
9	around a star-shaped, six-way crossroads.
10	around an “H” of paths, one leg of which connects to the main road.
11	around an especially large square or green, through which the main road passes.
12	in a gridiron of streets forming short blocks, like a miniature city.

There will also be 2d4 minor lanes branching off from the main paths(s) towards the surrounding fields.

Table 1b: The Basic Layout of a Maritime Village

d6	The buildings primarily cluster….
1	along a section of road that hugs the shoreline.
2	around a “T”-shaped crossroads, with the top of the “T” hugging the shoreline.
3	in a gridiron of streets forming short blocks, like a miniature city.
4	around a triangle of paths, with one side on the waterfront.
5	on a square of paths, with one side on the waterfront.
6	away from the shore, and resemble an inland village. Use Table 1a to determine Basic Layout.

d8	The waterfront has…
1	a long embankment with bollards.
2	a long embankment with bollards and a single long pier.
3	a long embankment with 2d4 short piers.
4	a single long pier.
6 – 7	2d4 piers.
7 – 8	a beach, upon which boats are pulled.

There will also be 2d4 minor lanes branching off from the main cluster of buildings, leading inland.

Table 2: The Main Source of Fresh Water

d6	Most of the water used by villagers comes from…
1	1d4 streams.
2	a canal. 50% chance a lock is located in or near the village.
3	a lake.
4	1d4 ponds.
5	a spring.
6	1d4 wells.

Table 3: Overall Impression of the Village

d20	At fist glance, the village looks:
1 – 6	perfectly ordinary.
7 – 8	very clean and tidy.
9 – 10	very dirty, with filth and garbage everywhere.
11	quite new, as if all the building had been constructed in the past decade.
12 – 13	exceptionally ancient.
14	gloomy and depressing.
15	decrepit.
16	partially deserted.
17	overcrowded.
18	like there was a recent fire (or other disaster).
19 – 20	bucolic.

Table 4: Village Population

d20	Population:	Land-owning families (besides the primary landlord):
1	100 + d100	0
2	200 + d100	0
3 – 5	300 + d100	0
6 – 10	400 + d100	1
11 – 15	500 + d100	1
16 – 17	600 + d100	1
18	700 + d100	2
19	800 + d100	2
20	900 + d100	2 or 3

Divide the population by 8 to find the total number of cottages. If the village looks partially deserted, divide by 4. If the village is overcrowded, divide by 16.

About 90% of families of most villages will be directly involved in food production of some kind – whether farming or fishing.

In Poland, Russia, Prussia, and the Kingdom of Hungary, a village may be inhabited mostly or wholly by bound serfs.

In the Kingdom of Hungary, up to 10% of the population may be impoverished (or “sandalled”) nobility – barely distinguishable from peasants in their economic circumstances, but possessing the legal rights of aristocracy.

Table 5: Building Density

d8	The building density in the village is…
1	Very high – almost every building shares a wall with those on either side.
2 – 4	High – there is perhaps a few inches between buildings in the central cluster, with only one or two outlying buildings.
5 – 6	Moderate – there is 1d4 feet between buildings in the central cluster, with a few outlying buildings.
7	Low – there is 4+1d10 feet between buildings. 50% chance that a house has a wall or fence around its lot. The walls or fences of adjacent lots connect. About 25% of the buildings will be up to a ¼ mile away from the main cluster.
8+	Very low – there is 15+d20 feet between buildings in the central cluster, most of which are in the middle of walled or fenced lots. Half or more of the building are scattered up to a ¼ mile from the central cluster.

Modifiers:

-2 for villages in Italy, Spain, Portugal, or Provence.

+4 for villages in Poland and Russia.

A village will be built in the “vernacular” style of its region. There will always be a blacksmith, a grain mill, and a church (the presence of which distinguishes a village from a hamlet). A logging village will also have a saw-mill. Mills may be wind powered (common in colder regions), water-powered, or turned by draft animals. In beer-drinking regions, there often be a malt house (a large building with an open interior, where barley is malted to make beer). In a wine-growing region, a village will have a wine-press instead. In the Italian States, Spain, and southern France, a village may also have its own olive–press. Mills, wine-presses and olive-presses will be usually be owned by the village landlord, who will charge the villagers a fee for its use. Often, there is only a single bread (and roasting) oven in the village, and villagers are likewise charged for its use.

There will be few (if any) shops in a village. Villagers make their own clothing, make most of their own food, repair their own houses, and often make their own beer (or wine). Cutlery and worked iron can be commissioned from the blacksmith. A local woman may be willing to sew (or repair) clothing for visitors. There might be a doctor and/or apothecary in a larger village. Except in those parts of Britain which are already industrializing, most finished goods a village produces (such as cloth or ceramics) are made by its inhabitants in their homes, and then collected by an agent of the landlord (or commissioning merchant). Such commodities may be available for legal purchase – with several days notice. Goods and services that villagers cannot provide themselves must usually be obtained from the market in the nearest town, or from itinerant merchants (who might pass through the village once a week or so, from spring to autumn). Such visiting merchants might work directly for the landlord, or pay him a fee (unless they are Gypsies who visit irregularly, and sell illegally).

Table 5: The Village Church

d20	The village church is…
1 – 3	too small for its congregation.
4 – 6	too large for its congregation.
7	very plainly decorated.
8	ostentatiously decorated.
7 – 9	in very bad repair.
10 – 14	neat, tidy, and in good repair.
15 – 16	filled with strange and disturbing art.
17	apparently a popular place for trysts!
18	of a different denomination than the official state Church.
19	actually two small churches that seem to compete for congregants.
20	an abandoned ruin – where do the villagers worship?

Also see “Twenty Creepy Churches in Isolated Places” in the supplement “A Ghastly Potpourri”.

Table 6a: Landmark of an Inland Village

d100	The most noteworthy location in or near the village is…
1 – 4	the local church.
5 – 8	the estate house (or castle) of the local landlord.
9 – 12	the pleasure house of an aristocrat (other than the landlord). A Villa, Lustschloss, Maison de Plaisance, etc.
13 – 16	a nearby fort where a company or regiment of soldiers is stationed. If the landlord is titled nobility, they may also be the force’s commander.
17 – 20	a local ruin. See Appendix C of “A Ghastly Companion to Castles, Mansions, & Estates”.
21 – 24	a complex of subterranean tunnels. See Appendix D of “A Ghastly Companion to Castles, Mansions, & Estates”.
25 – 28	a network of underground caverns. See Appendix D of “A Ghastly Companion to Castles, Mansions, & Estates”.
29 – 32	an ancient tree.
33 – 36	a stone circle.
37 – 40	a lake.
41 – 44	a bridge.
45 – 48	a natural spring.
49 – 52	a marsh or swamp.
53 – 56	a roadside shrine.
57 – 60	a corpse road.
61 – 64	a hill (if lowland) or valley (if upland).
65 – 68	a small patch of woods that is supposedly haunted.
69 – 72	another whole village, apparently abandoned.
73 – 76	a monument to a local hero.
77 – 80	the village cross.
81 – 84	a large, oddly-colored rock.
85 – 88	a rock formation that resembles something else (a person, animal, monsters, etc.)
89 – 92	a former battlefield, now a mass grave.
93 – 96	the remains of a defensive wall.
97 – 98	a monastery (or school for boys, in a Protestant country).
99 – 100	a convent (or school for girls, in a Protestant country).

Table 6b: Landmark of a Maritime Village

d20	The most noteworthy location in or near the village is…
1	the local church.
2	the estate house (or castle) of the local landlord.
3	a small chapel on an island offshore.
4	a monastery or convent on an island offshore. Abandoned if a Protestant country.
5	the pleasure house of an aristocrat (other than the landlord).
6	a nearby fort where a company or regiment of soldiers is stationed. If the landlord is titled nobility, they may also be the force’s commander.
7	a local ruin. See Appendix C of “A Ghastly Companion to Castles, Mansions, & Estates”.
8	a complex of subterranean tunnels. See Appendix D of “A Ghastly Companion to Castles, Mansions, & Estates”.
9	a network of underground caverns. See Appendix D of “A Ghastly Companion to Castles, Mansions, & Estates”.
10 – 11	a lighthouse / beacon
12 – 13	a supposedly haunted island offshore.
14	a rocky, supposedly inaccessible island offshore.
15	a wrecked ship (just offshore, or even washed up on shore)
16	a large, oddly-colored rock.
17	a rock formation that resembles something else (a person, animal, monsters, etc.)
18	offshore reefs (or rocks) that must be navigated carefully. 25% chance there is also a beacon.
19	a sea cave.
20	several picturesque cliffs.

Villages, whether inland or maritime, are often named for their Landmark.

Table 7: Accommodations for Travelers

d12	Travelers looking for accommodations will find…
1 – 4	nothing at all – apparently everyone drinks and socializes in each other’s homes. 50% chance a family is willing to host travelers who pay in cash.
5 – 6	a tavern with a single common bed.
7	a tavern with a single private room for rent.
8	an inn with a common bed, and 1d4 rooms.
9	a rooming house, with 1d4 rooms available.
10 – 12	a Coaching Inn.
13+	An exclusive Coaching Inn for wealthy travelers. Note: only possible if Village is on a major road. There will also be a separate Tavern, where ordinary villagers go to drink and socialize.

Modifiers:

+3 to the roll if the village lies directly on a major road.

-3 if village if off a major road.

See Appendix A in “A Ghastly Companion to Castles, Mansions, & Estates” for more information on travelers accommodations in the Ghastly Age.

Table 8a: Famous Produce of an Upland Village

d100	The village is best known for its…
1 – 4	butter and cheese.
5 – 9	cattle.
10 – 13	charcoal.
14 – 17	coal.
18 – 21	copper.
22 – 25	distilled liquors.
26 – 29	gemstones.
30 – 33	gunsmiths.
34 – 37	gypsum.
38 – 41	iron.
42 – 46	lead.
47 – 50	lime (mineral).
51 – 56	lumber and firewood.
57 – 61	medicinal plants.
62 – 70	mutton.
71 – 80	quarried stone.
81 – 84	salt (mined). In France especially the production of salt is heavily regulated, with ordinary people being required to purchase a minimum amount of heavily taxed salt a year.
85 – 88	tin.
89 – 92	hard cider.
93 – 96	wine and/or beer.
97 – 100	wool.

Table8b: Famous Produce of a Lowland Village

d100	The village is best known for its…
1 – 3	apiary products (wax and honey).
4 – 6	butter and cheese.
7 – 9	cattle.
10 – 12	ceramics (tiles, pots, etc.).
13 – 15	cloth.
16 – 18	cutlery.
19 – 21	distilled liquors.
22 – 23	dyestufs (indigo, etc.).
24 – 26	eggs.
27 – 29	flax.
30 – 32	flowers.
33 – 35	freshwater fish (village must be near a river or large lake)
36 – 38	grain (wheat, rye, barley, rice, oats, etc.)
39 – 40	gunpowder.
41 – 42	gunsmiths.
43 – 45	gypsum.
46 – 48	hops
49 – 53	lumber and firewood.
54 – 56	medicinal plants.
57 – 60	mutton.
61 – 65	pigs.
66 – 70	poultry.
71 – 72	quarried stone.
73 – 75	region-specific crops (almonds, olives, oranges, saffron, etc.).
76 – 80	salt (mined). In France especially the production of salt is heavily regulated, with ordinary people being required to purchase a minimum amount of heavily taxed salt a year.
81 – 83	smithing.
84 – 88	tanned leather.
89 – 90	tree fruit (apples, pears, apricots, olives, etc.).
91 – 96	wine / beer / hard cider.
97 – 100	wool.

Table8c: Most Important Produce of a Maritime Village

d100	The village is best known for its…
1 – 5	apiary products (wax and honey).
6 – 10	boats.
11 – 15	ceramics (tiles, pots, etc.).
16 – 20	cloth
21 – 25	cutlery.
22 – 30	distilled liquors.
31 – 35	flowers.
36 – 40	fresh fish.
41 – 45	glassware.
46 – 50	medicinal plants.
51 – 55	oysters (or other shellfish).
56	pebbles (used for rocaille decorations)
57 – 61	quarried stone.
62 – 66	rope.
67 – 71	sailors (half the male population will be away at sea at any one time).
72 – 75	salt. In France especially the production of salt is heavily regulated, with ordinary people being required to purchase a minimum amount of heavily taxed salt a year.
76 – 80	salted fish.
81 – 83	seashells (used for rocaille decorations)
84 – 88	shellfish.
89 – 94	smoked fish.
91 – 95	stockfish.
96 – 100	wine / beer / hard cider.

Table 9: Class Relations

d4	Overall, relations between the social classes are…
1	Good. The local landlord is charitable, rents are reasonable, and the average villager is content with their lot. The landlord does not enforce any onerous feudal obligations. There is no crime or violence to speak of. Re-roll results of 13 or above on Table 10.
2 – 3	Average. The rents are a little higher than the villagers would like (but not impossible to pay), the tradesmen usually charge fair prices, and the landlord occasionally takes an interest in the welfare of the villagers. All ancient feudal obligations are enforced, but exceptions are made in cases of extreme hardship. There is some domestic violence, and the occasional drunken fight between villagers.
4	Poor. The rents are outrageously expensive. The landlord and his family zealously enforce any feudal obligations, and are completely disinterested in the misery they cause. The tradesmen frequently price-gouge. The ordinary villagers support and aid the local bandits. There is a significant black market. Many villagers support radical political ideas. Significant crime and violence occurs. Re-roll results of 7 or below on Table 10.

Examples of ancient feudal obligations that may still be in effect include:

Having to pay a fine to the landlord for each young woman who gets married.
Having to labor for free in the landlord’s fields (in addition to the rent one pays for one’s own field).
Handing over a portion of all crops grown in one’s rented field.
Unpaid labor on the local roads.
Unpaid labor at the landlord’s house or castle.
Having to pay to use the landlord’s mills and presses, and not being able to use any other.
Having to pay a toll to the landlord each time one crosses a bridge, and not being allowed to use any route that avoids that bridge.

Few (if any) feudal obligations would still be in effect in a British village, while all of the above might be suffered by a French peasant before the Revolution.

Table 10: Disposition of Villagers

d20	The general disposition of the villagers seems to be…
1	virtuous.
2	honest.
3 – 6	friendly.
7	polite.
8	amorous.
9	hot-tempered.
10	fanatically pious.
11	impious
12	crude
13	unfriendly.
14	dishonest.
15	frightened.
16	menacing.
17	gloomy.
18	envious / resentful.
19	fatalistic.
20	criminal. If Class Relations are good, the villagers simply flout needlessly repressive laws, and the village landlord tries to ignore their otherwise harmless behavior whenever possible.

Table 11: The Unofficial Village Leader

d10	The average person in the Village looks for leadership from…
1	a wealthy farmer who owns a substantial tract of land. Roll again if Class Relations are poor.
2	a tradesman involved in the village’s primary produce.
3 – 4	the priest/parson.
5	the blacksmith.
6	the owner of the local tavern or inn. Roll again if there is no such establishment.
7	a retired military officer.
8	a retired sea captain.
9	a retired professor.
10	the local highwayman (or pirate), who only targets the rich. Roll again if Class Relations are good.

Remember, this an unofficial leader – as a rule an 18^th century village does not have any formal government of its own, but is administered by the landlord who owns most of the property.

Table 12: The Wealthiest Villager

d12	Besides the local landlord, the wealthiest person in the village is…
1 – 3	a farmer who owns a substantial tract of land. Some villagers might actually be renting land and/or a cottage from this person, rather than the community’s primary landlord. Where serfdom persist, the wealthy farmer might even own their own serfs. The village’s primary landlord, however, will still be the legal authority over the village as a whole.
4 – 5	a shrewd tradesman involved in the village’s primary produce.
6	the priest/parson
7	a wealthy dowager.
8	the miller.
9	the blacksmith.
10	a retired military officer.
11	a retired sea captain.
12	a Mad Scientist whose laboratory is here.

Table 13: The Village Scapegoat

d8	The first person who will get blamed for any catastrophe is…
1	a mentally-challenged vagrant.
2	the local “freak”, who suffers from a congenital birth defect.
3	a Gypsy who who has settled on the outskirts.
4	an old spinster who lives alone.
5	the “foreigner” who recently settled in the village.
6	the local prostitute.
7	the most recently arrived stranger – and that means the PCs!.
8	the Mad Scientist whose laboratory is here.

Table 14: The Most Beloved Villager

d20	The most beloved person in the village is…
1 – 2	the priest / vicar / parson.
3	the landlord. Roll again if Class Relations are poor.
4	the landlord’s spouse. Roll again if Class Relations are poor.
5	the mistress / lover of the landlord (or their spouse).
6	the daughter of the landlord. Roll again if Class Relations are poor.
7	the son of the landlord. Roll again if Class Relations are poor.
8	the beautiful young daughter of a villager.
9	the handsome young son of a villager
10	the local midwife.
11	a generous dowager.
12	the blacksmith.
13	the blacksmith’s wife.
14 – 15	the proprietor of the local tavern/inn/rooming house. Roll again if there is no such establishment.
16	the local prostitute, known for her charity and kindheartedness.
17	a retired soldier.
18	its wealthiest inhabitant (other than the landlord). Roll again if Class Relations are poor.
19 – 20	the local highwayman (or pirate), who only targets the rich. Roll again if Class Relations are good.

Table 15: Current Events

d100	Besides events in the landlord’s Estate House, everyone is also talking about…
1 – 10	an upcoming wedding – and wedding feast!
11 – 14	a pair of young lovers whose love has been forbidden by their parents.
15 – 17	the death of a beloved villager.
18 – 20	the recent arrival of Gypsies.
21 – 23	the upcoming religious festival / procession.
24 – 26	the upcoming village fair and dance.
27 – 29	the discovery of an adulterous affair.
30 – 31	the upcoming pig slaughter. Late autumn/early winter only.
33 – 35	a puzzling and mysterious death.
36 – 38	a dog that became rabid.
39 – 41	the disease that is sweeping through the village.
42 – 44	the recent death of a whole family from spoiled food.
45 – 47	the abduction of a child.
48 – 50	the recent increase in rents.
51 – 52	a puzzling decrease in rents!
53 – 54	a recent boxing match.
55 – 56	a charlatan who recently breezed through the village.
57 – 58	the strange, localized weather event that recently occurred. See Twenty Ominous Weather Events* in the supplement “A Ghastly Potpourri“.*
59 – 60	the recent birth of a strangely deformed child.
61 – 62	the child who was recently discovered to be a Fairy changeling.
63 – 64	the miraculous healing that recently occurred in the church.
65 – 66	the sighting of a diabolical figure dancing atop the roof of the church.
67 – 68	the exposure and arrest of someone for “crimes against nature”.
69 – 70	the theft of a domestic animal.
71 – 72	the recent attacks on livestock by predators.
73 – 74	a haunting that has recently begun.
75 – 76	the desecration of graves in the churchyard.
77 – 78	an apparently unbeatable fighting cock (or dog).
79 – 80	the statue of a saint that has begun bleeding / exuding oil / crying holy water. Roll again in Protestant countries.
81 – 82	the villager who just experienced a vision of the Virgin Mary. Roll again in Protestant countries.
83 – 84	the “foreigner” who has decided to settle in the village. Note: a “foreigner” could be anyone from a place more than a day’s journey distant).
85 – 86	the mysterious stranger who recently came into town.
87 – 88	the group of soldiers (or Gendarmes) that recently passed through and bullied everyone.
89 – 90	someone’s recent encounter with an Immortal Wanderer.
91 – 92	a recent visit by someone whom the villagers believe to be a member of the Royal Family in disguise.
93 – 94	the recent visit by a demagogue preaching subversive politics.
95 – 96	a recent visit by an artist searching for picturesque landscapes to paint.
97 – 98	the poet that has taken up residence in a cottage.
99 – 100	a monstrous corpse that has been unearthed (or washed ashore).

Table 16: The Immediate Danger

d20	Villagers would welcome help with…
1	a pack of wolves.
2	a bear.
3	a rabid dog.
4	a gang of bandits.
5	normally non-aggressive animals that have suddenly turned vicious.
6	a Ghoulish Revenant.
7	a wandering Mindless Revenant.
8	a Vampyre.
9	a Werewolf.
10	a Ghost.
11	a family of Cannibals lurking in a nearby cave.
12	a monster lurking in the woods (or offshore).
13	a person suspected of being a witch (or warlock).
14	a Demoniac.
15	children who have gone missing.
16	the local Mad Scientist – pitchforks and torches are ready!
17	a press gang that has targeted the men of the community.
18	crimes committed by soldiers recently billeted in the village.
19	Ruffians employed by the local landlord to collect rents. Roll again if Class Relations are good.
20	a Fairy who who has abducted someone.

Table 17: The Village’s Dark Secret

d100	The villagers don’t want outsiders to know about…
1 – 4	a terrible crime committed there in the past, for which no one was ever brought to justice.
5 – 8	a recent crime committed by one or more respected members of the community.
9 – 11	all the inbreeding. Use Appendix L: Inherited Peculiarities of Inbred Noble Families from “A Ghastly Companion to Castles, Mansions, & Estates” to determine the distinguishing characteristic of native villagers. Only roll once – the most inbred villagers are nowhere near as inbred as the aristocracy!
12 – 14	the Vampyre that they secretly serve.
15 – 17	the many werwolves who inhabit the place.
18 – 20	the nearby caves that shelter monsters.
21 – 23	the evil that lurks in an abandoned mine.
24 – 26	the ancient temple complex the village is built atop.
27 – 29	the Pagan worship that persists in the Village.
30 – 32	the human sacrifices they make to preserve the fertility of the fields.
33 – 35	their devotion to Satan (or another diabolical figure).
36 – 38	their highly unorthodox Christian worship.
39 – 40	their secret practice of Judaism. Openly Jewish villages exist in Poland, western Russia, and the Kingdom of Hungary. Elsewhere, the openly Jewish population tends to be urban.
41	their secret practice of Islam.
42 – 45	their reverence towards a local Fairy.
46 – 48	their hunger for human flesh!
49 – 51	their practice of swapping spouses.
52 – 54	the fate of the travelers that recently disappeared after visiting the village.
55 – 57	the purpose of the talismans hung everywhere.
58 – 60	the local gang of bandits (or wreckers).
61 – 63	the coven of witches who meets nearby.
64 – 66	the reason their church was abandoned.
67 – 69	an abandoned house, and the awful people who once dwelt there.
70 – 72	the ruined castle nearby.
73 – 75	the buried treasure that was recently unearthed.
76 – 78	the local haunting. See Appendix O* in “A Ghastly Companion to Castles, Mansions, & Estates”.*
79 – 81	the village demoniac.
82 – 84	the desecrated graves in the churchyard.
85 – 87	the revolutionary who is hiding out there.
88 – 90	the young aristocrat who is hiding there with their lower-class spouse (or lover).
91 – 93	the powerful magician who lives here.
94 – 95	the dragon that must be placated with the sacrifice of a virgin girl every 10 years.
96 – 97	their interbreeding with Fairies, or something monstrous.
98	the upcoming wedding of a young woman to Satan.
99 – 100	the landlord’s shocking practice of jus primae noctis.

A Ghastly Companion to Castles, Mansions, & Estates – Rough-Hewn Edition Now Available!

08 Friday Feb 2019

Posted by Daniel James Hanley in Coming Attractions, Ghastly Affair, Gothic Gaming, Highdark Hall, Historical Gaming, OGL, OSR

≈ 10 Comments

Tags

18th Century, Austenpunk, blackpowder, dreadpunk, Eighteenth Century, First Empire, French Directory, French Revolution, Georgian, Ghastly Affair, gothic game, Gothic Gaming, Gothic Horror, Gothic Romance, Gothick, Historical, Historical Gaming, Louis Seize, Louis XV, Louis XVI, mannerpunk, Napoleonic, nineteenth century, Regency, Romance, Romantic Age, Romantic Horror, Romantic-era

A Ghastly Companion to Castles, Mansions, & Estates – Rough-Hewn Edition is your complete guide to gaming in the opulent Grand Houses of the Georgian, French Revolutionary, Napoleonic, and Regency eras. Although created especially for use with Ghastly Affair, “The Gothic Game of Romantic Horror”, it’s also an invaluable resource for any game set in the late eighteenth to early nineteenth centuries. Whether your scenarios involve destroying supernatural terrors lurking in crumbling castles, climbing the rungs of the social ladder through opulent townhouses, or unraveling the horrible secrets of the country gentry, this book is an essential reference!

This pre-release “ashcan” version does not include the illustrations, maps, floor-plans, and indices that will be in the full release. You still get over 270 pages of historical information, random tables, and practical advice, including:

A discussion of the various types of Grand Houses across 18th century Europe.
An outline of a typical day’s activities in a Castle, Mansion, or Estate House.
Over 100 tables to create a historically plausible Grand House, along with its inhabitants, gardens, and events – at whatever level of detail you desire.
A complete guide to the servants and retainers who make aristocratic life possible.
Tips for running an immersive Gothic “sandbox” that doesn’t force players into a pre-determined plotline.
A discussion of 18th century coaching inns (and coaches).
Random encounter tables for an 18th century setting.
Complete systems for randomly generating plausible ruins, caves, and subterranean crypts.
Tables for creating sumptuous, historically-accurate feasts.
Multiple tables for generating dramatic events that occur at dinner, during dances, and on the morning promenade.
Tables for defining twisted family histories, and the peculiarities of inbred nobles.
Information on 18th century noble titles – and tables to randomly determine the status of aristocrats.
Tables for quickly defining the most memorable characteristics of NPCs, and the scandalous desires of your house’s inhabitants.
Tables for randomly generating ghosts and hauntings – including Restless Houses that hunger to satisfy their own mysterious cravings.
An extensive system for randomly generating the multitude of paintings that festoon the walls of Grand Houses – and tips on how to make them essential facets of a scenario.
Tables to create typical names for British country houses, and evocative appellations for castle towers.
A table of technological marvels that might be found in a late 18th century Grand House.

And all at a price an orphaned scullery maid could afford! But like a Vauxhall Gardens doxy, once it’s better-dressed, the fancy new version will cost a little more!

Contains some mature subject matter. Reader discretion is advised.

An Update on “A Ghastly Companion to Castles, Mansions, & Estates”

19 Wednesday Dec 2018

Posted by Daniel James Hanley in Coming Attractions, Ghastly Affair, Gothic Gaming, Highdark Hall, Historical Gaming, OGL, OSR

≈ 16 Comments

Tags

18th Century, Austenpunk, blackpowder, dreadpunk, Eighteenth Century, First Empire, French Directory, French Revolution, Georgian, Ghastly Affair, gothic game, Gothic Gaming, Gothic Horror, Gothic Romance, Gothick, Historical, Historical Gaming, Louis Seize, Louis XV, Louis XVI, mannerpunk, Napoleonic, nineteenth century, Regency, Romance, Romantic Age, Romantic Horror, Romantic-era

As you may have noticed, I have been largely absent from this blog (or any social media) in recent days. That’s because I’ve been focusing on editing together a PDF-only, “Rough-hewn Edition” of the long-promised “A Ghastly Companion to Castle, Mansions, & Estates”. This “Rough-hewn Edition” will be a pre-release “ashcan” version containing all the essential text of the final book, but without the final illustrations. It utilizes some public-domain art resources, but areas of the layout that will be eventually filled with actual illustrations are left obvious. Also, the “Rough-hewn Edition” will not be indexed (besides the Bookmarks in the PDF), it will not be as extensively hyper-linked as the final PDF version, nor will it include the example floor-plans that will feature in the full release. Since I need to create about 100 illustrations to finish the book, and the final proofing process for a print book can easily take an entire month, a realistic time-frame for the fully finished version is no sooner than early Summer 2019. Therefore, in order to get the book into the hands of people who would like to actually use it, I’ll be releasing the low-priced “Rough-hewn Edition” shortly. It won’t be perfect, but it will still give you all the tools you need to create plausible Grand Houses for any game set in the late-Georgian / Napoleonic / Regency era (not just Ghastly Affair).

HERE’S WHAT’S IN IT:

PLACES ARE CHARACTERS

HOW TO USE THIS BOOK

AN OVERVIEW OF GRAND HOUSES AND ESTATES

REGARDING CASTLES
REGARDING MANSIONS
REGARDING ESTATE HOUSES
CASTLES, MANSIONS, AND ESTATES BY REGION
The British Isles (including Ireland)
France
German States
(Holy Roman Empire, Habsburg Austria, and Kingdom of Prussia)
Kingdom of Hungary (including Transylvania)
Italian States
Poland-Lithuania
Russia
Spain and Portugal
THE RHYTHM OF LIFE IN A GRAND HOUSE
Morning
Afternoon
Evening
Night

BUILDING YOUR GRAND HOUSE

Representational Maps
Schematic Maps
PART I – THE MOST NOTABLE FEATURE
Which Tables to Use:
Table 1a: Most Notable Feature of a Castle or Country Estate
Table 1b: Most Notable Feature of an Urban Mansion
Table 1c: Animals
Table 1d: Architecture
Table 1e: Art Collection
Table 1f: Attractive Residents
Table 1g: Cabinet of Curiosities
Table 1h: Cursed Family
Table 1i: Entertainment
Table 1j: Follies
Table 1k: Food
Table 1L: Games, Sports, and Contests
Table 1m: Gaming Room
Table 1n: Gardens
Table 1O: Haunting
Table 1p: Horrible History
Table 1q: Hunting
Table 1r: Library
Table 1s: Literary or Philosophical Salon
Table 1t: Notable Former Resident
Table 1u: Secret Passages/Rooms
Table 1v: Unsolved Mystery
Table 1w: Water Features
PART II – APPROACHING THE GROUNDS
Which Tables to Use
Table 2a: First Impression of the Greater Estate
Table 2b: Primary Produce of the Greater Estate
Table 3: Barrier of the Enclosed Parkland
Table 4: Parkland Barrier Height
Table 5: Urban Mansion Barrier
Table 6a: Main Gate to the Enclosed Parkland of a Castle or Estate
Table 6b: Front Gate of an Urban Mansion
Table 7: Castle and Estate House Parkland Size
Table 8 Urban Mansion Lot Shape and Size
Table 9: Setback of a Castle or Estate House Within its Parkland
Table 10: Path to a Castle or Estate House from the Parkland Gate
PART III – THE EXTERIOR
Which Tables to Use
Table 11a: The Architectural Style of a Castle
Table 11b: The Architectural Style of an Urban Mansion or Estate House
Table 12: Basic Plan of a Castle
Table 13: Castle Situation
Table 14: The Curtain Walls of a Concentric Castle
Table 15: General Plan of a Castle Keep
Table 16: Size of a Castle Keep
Table 17a: Basic Plan of an Urban Mansion
Table 17b: Basic Plan of an Estate House
Table 18: Size of an Estate House
Table 19: Building Material of a Mansion or Estate House
Table 20: The Height (in Stories) of a Mansion or Estate House
Table 21: The Height of a Story
Table 22: The Roof Style of a Castle, Tower, or Keep
Table 23: The Roof Style of a Mansion or Estate House
Table 24: Keep, Compact Castle, Courtyard Castle, & Fortified House Door
Table 25: The Servants’ Quarters
Table 26a: Castle Gatehouse
Table 26b: Gatehouse Entrance
Table 27: Distinctive Architectural Features of a Mansion or Estate House
Table 28: The Front Courtyard of a Mansion or Estate House
Table 29: The Shape and Size of Castle Towers
Table 30: The Roofing Material of a Mansion or Estate House
Table 31a: The Front Stairs of a Mansion or Estate House
Table 31b: The Portico (or Porte-Cochère) of a Mansion or Estate House
Table 32: Avant-Corps Projecting From the Facade
Table 33: The Main Door of a Mansion or Estate House
PART IV – THE RESIDENTS
Which Tables to Use
Table 34: The Family of the House
Table 35: The Family Wealth
Table 36: Servants and Retainers of the Household
Table 37: Overall Impression of the Servants
Table 38: Pets Living in the House
Table 39: Strange Customs of the Household
Table 40: The Lord and Lady’s Relation
Table 41: The Formal Livery of Male Servants
Table 42: Vermin in the House
Table 43: The Family’s Dark Secret
PART V – THE INTERIOR ROOMS
Which Tables to Use
Table 44a: The Entrance Hall of a Castle
Table 44b: The Entry Room of a Mansion or Estate House
Table 45a: The Main Staircase of a Castle (or Castle Keep)
Table 45b: Stairs in a Tower
Table 45c: The Grand Staircase of a Mansion or Estate House
Table 46: Rooms on the Ground Floor
Table 47: Rooms on the Upper Floors
Table 48: Rooms in the Basement
Table 49: Rooms in the Attic
Table 50: Rooms in the Servants’ Section
Table 51: Distinctive Features of Rooms
Table 52a: Remarkable Floors
Table 52b: Remarkable Walls
Table 52c: Remarkable Ceilings
Table 52d: Remarkable Furniture
Table 52e: Remarkable Images
Table 52f: Remarkable Sculptures
Table 52g: Remarkable Fireplaces
Table 52h: Remarkable Heating Stoves
Table 52i: Remarkable Doors
Table 52j: Remarkable Objects
Table 52k: Remarkable Windows
Table 52L: Remarkable Room Shapes
Table 52m: Remarkable Atmospheres
Table 53a: Ordinary Castle Walls
Table 53b: Ordinary Mansion and Estate House Walls
Table 54: Ordinary Paint Colors
Table 55: Ordinary Wallpapers
Table 56: Ordinary Doors
Table 57: Ordinary Windows in Castles
Table 58a: Ordinary Windows in Mansions and Estate Houses
Table 58b Ordinary Windows in Mansion and Estate House Basements
Table 58c Ordinary Windows in Mansion and Estate House Attics
Table 59: Ordinary Curtains, Drapes, and Wall Hangings
Table 60: Ordinary Ceilings
Table 61: Ordinary Floors
Table 62: Ordinary Heating Sources
Table 63: Ordinary Lighting
Table 64: Number of Doors in a Room
Table 65: Secret Passages, Concealed Doors, and Hidden Areas
Table 67: Beds
Table 68: Furnishings for Bedrooms, Boudoirs, and Cabinets
Table 69: Furnishings for Salons, Drawing Rooms, and Ballrooms
Table 70: Furnishings and Fixtures for Dining Rooms
Table 71: Furnishings and Fixtures for Libraries
Table 72: Furnishings and Fixtures for Kitchens
Table 73: Valuable Serving Ware in the Butlery or Office
Table 74: Personal Items in a Man’s Bedchamber or Cabinet
Table 75: Personal Items in a Woman’s Bedchamber or Boudoir
Table 76: Men’s Clothing (and Items in a Wardrobe)
Table 77: Women’s Clothing (and Items in a Wardrobe)
Table 78: Items in a Cabinet of Curiosities
PART VI – THE PARKLAND AND GARDENS
Which Tables to Use
Table 79: Water Supply of a Castle or Estate House
Table 80: Stables and Carriage House of a Castle or Estate House
Table 81a: Castle and Estate Parkland Areas
Table 81b: Urban Mansion Gardens
Table 82: Deerpark Features
Table 83: English Landscape Garden Features
Table 84: Farmyard or Basse-Cour Features
Table 85: Flower Garden Features
Table 86: French Formal Garden Features
Table 87: Hamlet Features
Table 88: Italian Garden Features
Table 89: Kitchen Garden Features
Table 90: Lawn / Meadow Features
Table 91: Paddock Features
Table 92: Pond and Lake Features
Table 93: Walled Garden Features
Table 94: Wooded Area Features
Table 95: Animals Living in the Parkland
Table 96: Vermin Plaguing the Estate
Table 97: Animals in a Menagerie
PART VII – CURRENT HAPPENINGS
Which Tables to Use
Table 98: Upcoming Scheduled Events
Table 99: Unexpected Events and Catastrophes
Table 100: Mysteries, Disasters, and Secret Intrigues Among the Servants
Table 101a: Castle and Estate Daily Schedule – Morning & Early Afternoon
Table 101b: Castle and Estate Daily Schedule – Later Afternoon
Table 101c: Castle and Estate Daily Schedule – Evening
Table 101d: Castle and Estate Daily Schedule – Night
Table 102a: Urban Mansion Daily Schedule – Morning & Early Afternoon
Table 102b: Urban Mansion Daily Schedule – Later Afternoon
Table 102c: Urban Mansion Daily Schedule – Evening
Table 102d: Urban Mansion Daily Schedule – Night

A GUIDE TO SERVANTS AND RETAINERS

LIFE IN SERVICE
A Servant’s Day
The Clothing of Servants and Retainers
The Wages of Servants and Retainers
A Note on Creating a Servant (or Retainer) Characters for Ghastly Affair
TYPES OF SERVANTS AND RETAINERS
Blacksmith [Grounds Servant]
Butler (Maître d’Hôtel, or Majordomo) [House Servant]
Cavalier Servente [Retainer]
Chaperone [Retainer]
Chaplain (Aumônier) [Retainer]
Coachman [Grounds Servant]
Concierge
Cook (Cuisinière or Cuisinier) [House Servant]
Dance Master [Retainer]
Drawing Master [Retainer]
Dairy Maid [Grounds and House Servant]
Estate Manager (Intendant) [Retainer]
Footman (Laquais) [House Servant]
Forester [Grounds Servant]
Gamekeeper [Grounds Servant]
Gardener [Grounds Servant]
Gardener, Assistant [Grounds Servant]
Governess (Gouvernante) [Retainer]
Groom [Grounds Servant]
Guard [House and Grounds Servants]
Hall Boy [House Servant]
Hall Maid [House Servant]
Handyman or Laborer
[House and Grounds Servant]
Hairdresser [Servant or Retainer]
Hermit [Retainer]
Housekeeper (Gouvernante)
Housemaid [House Servant]
House Steward [Retainer]
Huntsman [Grounds Servant]
Kennel Master [Grounds Servant]
Kitchen Boy (Garçon de Cuisine) [House Servant]
Kitchen Maid [House Servant]
Lady’s Companion
(Demoiselle de Compagnie) [Retainer]
Lady’s Maid (Femme de Chambre) [House Servant]
Laundry Maid [House Servant]
Librarian [Retainer]
Maid-of-all-Work (Servante) [House Servant]
Manservant [House Servant]
Maître d’Hôtel [House Servant]
Mistress [Retainer]
Music Master [Retainer]
Nurse [House Servant]
Nursery Maid [House Servant]
Occultist [Retainer]
Page [House Servant]
Physician [Retainer]
Porter (Concierge, or Suisse)
[House Servant]
Postilion [Grounds Servant]
Reader (Lectrice) [Retainer or Servant]
Scullery Maid [House Servant]
Secretary [Retainer]
Shepherd(ess) or Pastor [Grounds Servant]
Sick Nurse [House Servant]
Still Maid [House Servant]
Swineherd [Grounds Servant]
Underbutler (or Officier) [House Servant]
Under Housemaid [House Servant]
Upper Housemaid [House Servant]
Tutor [Retainer]
Valet [House Servant]
Whipper-in [Grounds Servant]
THE IDEAL (AND ACTUAL) HOUSEHOLD

THE OPEN (OR SANDBOX) SAGA

PREPARING AN OPEN SAGA
Choose a Starting Date
Determine the Starting Region
Create Characters That Have a Plausible Reason to Travel Frequently
Decide on the First Location
Prepare the First Location and Expected Challenge(s)
Ready a Side Location and Challenge(s)
RUNNING AN OPEN SAGA
Starting with the Journey
Spending a Day at the House
Introducing Challenges and Conflicts
When to Conclude an Affair
Down-time in an Open Saga
Sometimes the Journey is More Important than the Destination
Revisiting a House
Using Recurring NPCs and SPCs
Creating Locations on the Fly
Ending an Open Saga

APPENDIX A: OF COACHING INNS (AND COACHES)

HORSES, AND THEIR LIMITATIONS
ABOUT COACHING INNS AND POST HOUSES
Other Accommodations For Travelers
VISITING A COACHING INN
Arrival
Changing Horses
A Meal at the Inn
Sleeping at an Inn
Some Typical Prices at Coaching Inns
FEATURES OF COACHING INNS
Quick Random Characteristics of Inns and Taverns
Features and areas always present at a Coaching Inn:
Additional Features of a Rural Coaching Inn:
Features and Areas Possibly Present at a Coaching Inn:
Typical Staff of a Coaching Inn:
Some Suggested Encounters
for the Common Room of an Inn
Some Notable Events for the Night
NOTES ON CARRIAGES

APPENDIX B: ENCOUNTERS WHILE TRAVELING

Morning, Afternoon, & Evening – On the Road Between Villages
Morning, Afternoon, & Evening – Passing Through a Village
Night – On the Road Between Villages
Night – Passing Through a Village
Table 1: Morning, Afternoon, and Evening Road Encounters
Table 2: Night Road Encounters
Table 3: Obstacles and Curiosities
Table 4: Daylight Village Encounters

APPENDIX C: RUINS AND ABANDONED BUILDINGS

Table 1: The Original Structure
Table 2: Cause of Abandonment
Table 3: Most Notable Feature
Table 4: Completeness of the Structure
Table 5: State of the Roof
Table 6: State of the Interior Walls
Table 7: State of the Doors
Table 8: State of the Furniture
Table 9a: State of the Standing Exterior Walls (Unroofed)
Table 9b: State of the Standing Exterior Walls (Roofed)
Table 10: State of the Windows
Table 11: State of the Floors
Table 12: Vegetation
Table 13: Current Inhabitant(s)

APPENDIX D: CRYPTS, CAVES, AND SUBTERRANEAN PASSAGES

ARTIFICIAL TUNNELS AND VAULTS
Table 1: Original and Current Purpose of Subterranean Tunnels and Chambers
Table 2: Size of a Subterranean Tunnel Complex
Table 3a: Basic Plan of the Complex
Table 3b: The Entrance
Table 4A: Walls of Subterranean Tunnels and Chambers
Table 4B: Floors of Subterranean Tunnels and Chambers
Table 4C: Ceilings of Subterranean Tunnels and Chambers
Table 4D: Air Quality of Subterranean Tunnels and Chambers
Table 5: Notable Features of a Tunnel Section
Table 6: Subterranean Doorways
Table 7: Beyond a Subterranean Doorway
Table 8: Characteristics of Subterranean Chambers
Table 9: Contents of Subterranean Chambers
Table 10: Supports
Table 11: Hazards in Subterranean Tunnels and Chambers
Table 12: Traps in Subterranean Tunnels and Chambers
Table 13: Mysteries and Enigmas
Table 14A: Areas of an Archive or Library
Table 14B: Areas of a Mine
Table 14C: Areas of a Secret Society Chapter-house
Table 14D: Areas of a Cistern
Table 14E: Areas of a Burial Complex
Table 14F: Areas of a Wine Cellar
Table 14G: Areas in a Larder or Root Cellar
Table 14H: Areas of an Armory
Table 14I: Areas of a Treasury Vault
Table 14J: Areas of a Cheese Cave
Table 14K: Areas of an Ice Storage Vault
Table 14L: Areas of a Dungeon
Table 14M: Areas of an Ancient Temple, Now Buried
Table 14N: Areas of a Counterfeiter’s Workshop
Table 14O: Areas of a Satanic Complex
Table 14P: Areas of a Hermitage
Table 14Q: Areas of a Sanctuary for Religious Dissenters
Table 14R: Areas of a Vault for Smuggled Goods
Table 14S: Areas of a Mass Grave for Murder Victims
Table 14T: Areas of an Escape Route
Table 14U: Areas of a Creature’s Prison
Table 14V: Areas of the Hideaway of a Family Shame
Areas of the Hideaway of a Family Shame
Table 14W: Areas of a Bandit’s Hideout
Table 14X: Areas of an Alchemist’s Laboratory
Table 14Y: Areas of a Magician’s Retreat
Table 14Z: Areas of a Mad Scientist’s Laboratory
NATURAL (AND NATURAL-APPEARING) CAVES
Table 15: Plan of a Cave System
Table 16: Shape and Size of a Cave
Table 17: Air Quality Inside a Cave
Table 18: Ordinary Features of Airy Caves
Table 19: Strange and Unusual Features in Airy Caves
Table 20: Passability of a Cave
Table 21: Cave Connections
Supplementary Table: Random Compass Directions

APPENDIX E: RANDOM GENERATION OF MEALS IN GRAND HOUSES

MENUS
Breakfast (French Style)
Breakfast (English Style)
A Luncheon
A Grand Dinner
An Evening Supper
DISHES AND DECORATIONS
Breakfast Beverages
Breakfast Bread(s)
Breakfast Main Dishes
Breakfast Condiments
Soups
Meat Entrées
Fish Entrées
Poultry Entrées
Roasts and Main Dishes
Sauces
Vegetables and Salads
Entremets
Desserts
Table Decorations and Pièce Montées (Normal)
Table Decorations and Pièce Montées (Gothic and Unusual)

APPENDIX F: EVENTS AT DINNER

APPENDIX G: EVENTS AT THE DANCE

APPENDIX H: EVENTS OF THE MORNING PROMENADE

APPENDIX I: RANDOM ARISTOCRATIC TITLES

British Aristocrats
Notes About British Titles
French Aristocrats (Pre-Revolution, or Ancien Régime)
Notes about Ancien Régime titles
French Napoleonic Titles (Conferred from 1808 – 1814)
Notes About Napoleonic Titles
German Aristocrats
Notes About German Titles
Hungarian Aristocrats
Notes about Hungarian Titles
Italian Aristocrats
Notes About Italian Titles
Spanish Aristocrats
Notes about Spanish titles
OF ARISTOCRATIC BASTARDS

APPENDIX J: TWISTED FAMILY HISTORIES

Length of the Family History
Shocking Historical Facts about the Family

APPENDIX K: RELATIONSHIPS IN THE HOUSEHOLD

The Loves and Hates of Male Family Members
The Loves and Hates of Female Family Members
The Consequences of Forbidden Love
The Consequences of Hate
CONCERNING LGBT RELATIONSHIPS IN THE GHASTLY AGE

APPENDIX L: INHERITED PECULIARITIES OF INBRED NOBLE FAMILIES

APPENDIX M: THE MOST MEMORABLE CHARACTERISTICS OF NPCS

Female Aristocrats
Male Aristocrats
Female Servants
Male Servants

APPENDIX N: THE DESIRES OF RESTLESS HOUSES

What the House Wants
How the House Communicates
How the House will Lash Out
Where is the Heart of the House?
How can the House be Put to Rest?

APPENDIX O: RANDOM SPECTRAL ACTIVITY

The Usual Apparition
The Other Apparition(s)
Further Spectral Activity
The Phantom’s Release

APPENDIX P: CURSED AND HAUNTED BEDS

APPENDIX Q: PAINTINGS IN A GRAND HOUSE

Table 1a: Type of Painting
Table 1b: Dimensions of a Painting
Table 1c: Age of a Painting
Table 1d: The Frame of a Painting
Table 2: Male Portrait
Table 3: Female Portrait
Table 4: Interior Group Portrait
Table 5: Exterior Group Portrait
Table 6: Historical Scene
Table 7: Religious Scene
Table 8: Mythological, Legendary, or Literary Scene
Table 9: Genre Scene
Table 10: Landscape
Table 11: Animal Subject
Table 12: Still Life
Table 13: Allegory
Table 14: Enigmatic Emblems
Table 15: Erotic Scene
NOTES ON ART IN YOUR GAME
Regarding Portraits
Regarding Historical Paintings
Regarding Religious Paintings
Regarding Mythological, Legendary, and Literary Painting
Regarding Genre Paintings
Regarding Landscape Paintings
Regarding Animal Paintings
Regarding Still-lifes
Regarding Allegorical and Emblematic Images
Regarding Erotic Paintings

APPENDIX R: RANDOM NAMES FOR BRITISH COUNTRY HOUSES

APPENDIX S: 100 POETIC NAMES FOR TOWERS

APPENDIX T: TECHNOLOGICAL MARVELS IN GRAND HOUSES

33% Off Ghastly Affair PDFs Through Cyber Monday

21 Wednesday Nov 2018

Posted by Daniel James Hanley in Ghastly Affair, Gothic Gaming, Historical Gaming

≈ Leave a comment

Tags

18th Century, blackpowder, dreadpunk, Eighteenth Century, First Empire, French Directory, French Revolution, Georgian, Ghastly Affair, gothic game, Gothic Gaming, Gothic Horror, Gothic Literature, Gothic Romance, Gothick, Gothique, Historical, Louis Seize, Louis XV, Louis XVI, mannerpunk, Napoleonic, nineteenth century, OGL, Regency, role playing, role-playing game, roleplaying game, Romance, Romantic Age, Romantic Horror, Romantic-era, Romanticism, rpg, schauerroman

Now through Cyber Monday, all individual Ghastly Affair PDFs are 33% off at DriveThruRPG! This includes the “Ghastly Affair Player’s Manual”, the “Ghastly Affair Presenter’s Manual”, the supplement “A Ghastly Potpourri”, and the “Highdark Hall” setting. Plus, the Ghastly Affair novel “Hunter’s Song”, by William Rutter!

31% OFF Ghastly Affair PDFs on DriveThruRPG and RPGNow!

19 Friday Oct 2018

Posted by Daniel James Hanley in Ghastly Affair, Gothic Gaming, Historical Gaming

≈ Leave a comment

Tags

Now through Halloween 2018, the PDF versions of the “Ghastly Affair Player’s Manual”, “Ghastly Affair Presenter’s Manual”, a “A Ghastly Potpourri”, and the Ghastly Affair novel “Hunter’s Song”, are all 31% off on DriveThruRPG and RPGNow!

Random Landscape Paintings in Grand Houses

15 Monday Oct 2018

Posted by Daniel James Hanley in Ghastly Affair, Gothic Gaming, Highdark Hall, Historical Gaming, Random Tables

≈ 2 Comments

Tags

18th Century, Austenpunk, blackpowder, chateau, country seat, dreadpunk, Eighteenth Century, First Empire, French Directory, French Revolution, Georgian, Ghastly Affair, gothic game, Gothic Gaming, Gothic Horror, Gothic Literature, Gothic Romance, Gothick, Gothique, Historical, Historical Gaming, History, Louis Seize, Louis XV, Louis XVI, mannerpunk, manor house, Napoleonic, nineteenth century, Regency, Romance, Romantic Age, Romantic Horror, Romantic-era, Romanticism, schauerroman, stately home, steampunk

The 18th century saw the tremendous growth of Landscape painting as a popular genre, especially in Britain. Although contemporary critics ranked it as a “lesser” type of painting (similar to the still-life), there were many more landscapes actually hanging on walls than the more prestigious historical images preferred by the intelligentsia. The early years of the 19th century also saw the emergence of great Romantic landscape artists like Caspar David Friedrich (known for his moody images that often include figures looking into the scene with the viewer) and J.M.W. Turner (whose visionary work prefigured Impressionism and Abstract Expressionism).

Besides its use to add atmosphere to a setting, a landscape painting can also be a great clue to finding a location significant to the resolution of some in-game mystery. If you are running a game set in Highdark Hall, use the following tables to define the landscape paintings found in the Governess’ Bedroom.

d100	The painting depicts a landscape scene of…
1 – 2	a gnarled forest…
3 – 4	a pine forest…
5 – 6	a ruined castle…
7 – 8	a ruined cathedral…
9 – 10	a classical ruin…
11 – 12	a circle of standing stones…
13 – 14	an overgrown churchyard…
15 – 16	a lake…
17 – 18	a field of grain…
19 – 20	an orchard…
21 – 22	a snowy field…
23 – 24	jagged mountain peaks…
25 – 26	rolling hills…
27 – 28	rocky shore…
29 – 30	Venice…
31 –32	the Bay of Naples…
33 – 34	London…
35 – 36	Paris…
37 – 38	Vienna…
39 – 40	the ruins of Pompeii…
41 – 42	the arctic…
43 – 44	a house on the moors…
45 – 46	a ship on a calm sea…
47 – 48	a ship on a stormy sea…
49 – 50	a great chasm…
51 – 52	a formal French garden…
53 – 54	an English landscape garden…
55 – 56	a castle atop a mountain…
57 – 58	Chinese pagodas…
59 – 60	Egyptian ruins…
61 – 62	a cave entrance…
63 – 64	a natural arch of rock…
65 – 66	a monumental building in India…
67 – 68	a Turkish palace…
69 – 70	a mosque…
71 – 72	a lonely tomb…
73 – 74	a grand Gothic cathedral…
75 – 76	a mighty river…
77 – 78	an island in the South Seas…
79 – 80	a forest, with hunters chasing game…
81 – 82	a gathering storm on the shoreline…
83 – 84	a storm raining down on a field…
85 – 86	a beacon on the shore…
87 – 88	a South Seas island…
89 – 90	sandy desert dunes…
91 – 92	a ruined Hindu temple…
93 – 94	Ancient American ruins (Aztec, Mayan, Inca, etc.)…
95 – 96	a volcanic eruption…
97 – 98	a river ford…
99 – 100	a partially-ruined farmhouse…

d4	in the…
1	spring,
2	summer,
3	autumn,
4	winter,

d4	during the hours of…
1	the morning.
2	the day.
3	the evening.
4	the night.

d20	The notable thing about the painting is…
1	the out of place animal(s).
2	the out of place plant(s).
3	the inclusion of an unidentifiable creature.
4	the powerfully moving depiction that fills you with a sense of sublime melancholy (or terror).
5	the strange lights depicted in the sky.
6	the heavy use of impasto techniques that add surface texture to the depictions of features like rocks and trees.
7	the strange use of perspective.
8	that no attempt has been made to follow the rules of perspective.
9	it appears to be an unknown work from a well-known master.
10	it is incompetently rendered, and must have some kind of sentimental value to its owners.
11	the places and objects depicted form a visual pun.
12	the complete lack of apparent brush-strokes.
13	the virtuoso, trompe l’oeil depiction that looks like seeing the actual landscape through a window.
14	it seems to have been painted on a black ground, rather than white.
15	it was apparently painted alla prima, in one sitting with no under-painting.
16	there seems to be another, faintly visible image underneath the current image.
17	it has a heavily crackled surface.
18	although an oil, it is completely painted in translucent glazes that make it resemble a watercolor.
19	it appears to be the work of an unknown master.
20	the semi-abstract rendering, more concerned with color and shape than an accurate depiction of reality.

Random “Genre” Paintings in Grand Houses

24 Monday Sep 2018

Posted by Daniel James Hanley in Ghastly Affair, Gothic Gaming, Highdark Hall, Historical Gaming, Random Tables

≈ 2 Comments

Tags

18th Century, Art, blackpowder, dreadpunk, Eighteenth Century, First Empire, French Directory, French Revolution, Georgian, Ghastly Affair, Gothic Gaming, Gothic Horror, Gothic Literature, Gothic Romance, Gothick, Gothique, Historical Gaming, History, Louis Seize, Louis XV, Louis XVI, mannerpunk, Napoleonic, nineteenth century, Regency, Romance, Romantic Age, Romantic Horror, Romantic-era, Romanticism, rpg

In the jargon of art history a “genre” painting is one that depicts a scene of people engaged in ordinary life, without being a portrait of anyone specific, or a depiction of a historical event. Such paintings were very popular in the 18th century, and occupied a middle place in the accepted hierarchy of subjects.

d100	The painting depicts…
1	Gypsies in their encampment.
2	the preparation of a grand feast.
3	a portrait being painted.
4	lovers walking down a street in Paris.
5	a formal dinner.
6	a lady at her toilette, with visitors
7	a woman washing herself astride her bidet.
8	a masquerade ball.
9	a country dance.
10	peasants dancing.
11	a shepherdess and her flock.
12	a pretty milkmaid and her cows.
13	a fox hunt.
14	a stag hunt.
15	a boar hunt.
16	soldiers carousing in a tavern.
17	a peasant wedding.
18	a peasant woman nursing a child.
19	a peddler with a lemonade tank on his back.
20	a peasant family eating dinner.
21	a silhouette portrait being made.
22	several well-dressed young ladies giving a recital.
23	a farmer bringing produce to market in a wagon.
24	a small group of well-dressed people having luncheon in a small, but nicely-appointed room.
25	a modiste visiting a fashionable young lady
26	a water carrier.
27	a seamstress sewing a dress.
28	an operatic performance.
29	a ballet performance.
30	a performance of the Commedia dell’Arte.
31	a group of well-dressed people having a picnic.
32	laundresses washing clothes in a stream.
33	a young lady having a music lesson.
34	a young woman writing a letter.
35	grapes being harvested.
36	a butcher at his work.
37	the interior of a gaming hall.
38	an old washerwoman at work.
39	a group of men and women playing billiards.
40	a horse-race.
41	a cock-fight.
42	a dog fight.
43	a peasant mother dressing her child.
44	fishermen hauling in their catch.
45	a boy building a house of cards.
46	a Gypsy telling a fortune.
47	a governess admonishing a young child.
48	a man spying on a lady during the early part of her toilette.
49	stiltwalkers giving a public show.
50	a procession of pilgrims down a city street.
51	several monks making merry.
52	a young girl eavesdropping on a pair of lovers conversing.
53	a dance master giving lessons.
54	a drawing master giving lessons.
55	a group of men and women playing “blind-man’s bluff”.
56	a public hanging.
57	a public beheading.
58	a debate in an opulent salon.
59	the interior of a shop selling home furnishings.
60	children receiving gifts on Saint Nicholas’ Day.
61	a group of drunken singers at Christmastime.
62	a lady being carried in a sedan chair.
63	a carriage rolling through the countryside.
64	a woman (or man) in the sickbed, attended by their family.
65	a marriage contract being signed.
66	a group of masked Venetians gambling at The Ridotto.
67	a group of English Morris Dancers.
68	a couple visiting a menagerie.
69	a mountebank before a crowd.
70	a group of soldiers performing drills.
71	the crew aboard a ship, hoisting sails.
72	a group of ladies playing cards.
73	soldiers playing dice.
74	a chemist giving a demonstration to a small crowd.
75	a group of actors applying makeup.
76	an elegant salon in a lady’s bedchamber.
77	a patient being bled by a doctor.
78	a woman giving birth, with the family watching.
79	a girl crying over a dead pet.
80	a funeral procession.
81	a tennis match
82	a small group playing battledore and shuttlecock.
83	a group of aristocratic men shooting pigeons.
84	a grand house being constructed
85	a peasant home being built.
86	a group of street musicians.
87	a group of men and women telling ghost stories in a dimly-lit drawing room.
88	a peasant fishing.
89	a group of well-dressed men and women watching a regatta.
90	a dentist pulling teeth.
91	a maid carrying a chocolate pot and cups on a tray.
92	a baker removing loaves from the oven.
93	a woman visiting a fishmonger.
94	women making lace.
95	a sturdy peasant woman at a spinning wheel.
96	a group of well-dressed ladies embroidering.
97	a Spanish bullfight.
98	a group of children playing at being soldiers.
99	a knife-sharpener at work.
100	a money-lender’s office.

Some Notes on 18th Century and Napoleonic Cavalry

CAVALRY COMPANY

Cavalry Company Special Abilities.

Cavalry Company Weaknesses

CAVALRY PATROL

Cavalry Patrol Special Abilities.

Cavalry Patrol Weaknesses

CAVALRY SQUADRON

Cavalry Squadron Special Abilities

Cavalry Squadron Weaknesses

CAVALRY TROOP

Cavalry Troop Special Abilities

Cavalry Troop Weaknesses

Specialized Cavalry Units

Share this:

Like this:

An Overview of 18th Century and Napoleonic Infantry

INFANTRY BATTALION

Infantry Battalion Special Abilities

Infantry Battalion Weaknesses

INFANTRY COMPANY

Infantry Company Special Abilities

Infantry Company Weaknesses

INFANTRY PLATOON

Infantry Platoon Special Abilities

Infantry Platoon Weaknesses

INFANTRY SQUAD

Infantry Squad Special Abilities

Infantry Squad Weaknesses

SPECIAL INFANTRY UNITS

About Player Characters in Military Units

Share this:

Like this:

Share this:

Like this:

Table 1a: The Basic Layout of an Inland Village

Table 1b: The Basic Layout of a Maritime Village

Table 2: The Main Source of Fresh Water

Table 3: Overall Impression of the Village

Table 4: Village Population

Table 5: Building Density

Table 5: The Village Church

Table 6a: Landmark of an Inland Village

Table 6b: Landmark of a Maritime Village

Table 7: Accommodations for Travelers

Table 8a: Famous Produce of an Upland Village

Table8b: Famous Produce of a Lowland Village

Table8c: Most Important Produce of a Maritime Village

Table 9: Class Relations

Table 10: Disposition of Villagers

Table 11: The Unofficial Village Leader

Table 12: The Wealthiest Villager

Table 13: The Village Scapegoat

Table 14: The Most Beloved Villager

Table 15: Current Events

Table 16: The Immediate Danger

Table 17: The Village’s Dark Secret

Share this:

Like this:

Share this:

Like this:

PLACES ARE CHARACTERS

HOW TO USE THIS BOOK

AN OVERVIEW OF GRAND HOUSES AND ESTATES

BUILDING YOUR GRAND HOUSE

A GUIDE TO SERVANTS AND RETAINERS

THE OPEN (OR SANDBOX) SAGA

APPENDIX A: OF COACHING INNS (AND COACHES)

APPENDIX B: ENCOUNTERS WHILE TRAVELING

APPENDIX C: RUINS AND ABANDONED BUILDINGS

APPENDIX D: CRYPTS, CAVES, AND SUBTERRANEAN PASSAGES

APPENDIX E: RANDOM GENERATION OF MEALS IN GRAND HOUSES

APPENDIX F: EVENTS AT DINNER

APPENDIX G: EVENTS AT THE DANCE

APPENDIX H: EVENTS OF THE MORNING PROMENADE

APPENDIX I: RANDOM ARISTOCRATIC TITLES

APPENDIX J: TWISTED FAMILY HISTORIES

APPENDIX K: RELATIONSHIPS IN THE HOUSEHOLD

APPENDIX L: INHERITED PECULIARITIES OF INBRED NOBLE FAMILIES

APPENDIX M: THE MOST MEMORABLE CHARACTERISTICS OF NPCS

Some Notes on 18^th Century and Napoleonic Cavalry

An Overview of 18^th Century and Napoleonic Infantry